Transatlantic voyages -- Fiction; Venice (Italy) -- Fiction; Voyages and travels -- Fiction; Young women -- Fiction
“I will go below and ask her,” said Staniford. “I know she will tell
me the exact truth. They always do. Or if you will take a guess of mine
instead of her word for it, I will hazard the surmise that she is not at
all homesick. What has a pretty young girl to regret in such a life as
she has left? It's the most arid and joyless existence under the sun.
She has never known anything like society. In the country with us, the
social side must always have been somewhat paralyzed, but there are
monumental evidences of pleasures in other days that are quite extinct
now. You see big dusty ball-rooms in the old taverns: ball-rooms that
have had no dancing in them for half a century, and where they give you
a bed sometimes. There used to be academies, too, in the hill towns,
where they furnished a rude but serviceable article of real learning,
and where the local octogenarian remembers seeing something famous in
the way of theatricals on examination-day; but neither his children nor
his grandchildren have seen the like. There's a decay of the religious
sentiment, and the church is no longer a social centre, with merry
meetings among the tombstones between the morning and the afternoon
service. Superficial humanitarianism of one kind or another has killed
the good old orthodoxy, as the railroads have killed the turnpikes and
the country taverns; and the common schools have killed the academies.
Why, I don't suppose this girl ever saw anything livelier than a
township cattle show, or a Sunday-school picnic, in her life. They don't
pay visits in the country except at rare intervals, and their evening
parties, when they have any, are something to strike you dead with pity.
They used to clear away the corn-husks and pumpkins on the barn floor,
and dance by the light of tin lanterns. At least, that's the traditional
thing. The actual thing is sitting around four sides of the room,
giggling, whispering, looking at photograph albums, and coaxing somebody
to play on the piano. The banquet is passed in the form of apples and
water. I have assisted at _some_ rural festivals where the apples were
omitted. Upon the whole, I wonder our country people don't all go mad.
They do go mad, a great many of them, and manage to get a little glimpse
of society in the insane asylums.” Staniford ended his tirade with a
laugh, in which he vented his humorous sense and his fundamental pity of
the conditions he had caricatured.
“But how,” demanded Dunham, breaking rebelliously from the silence in
which he had listened, “do you account for her good manner?”
Public-domain text, read in full here on John Shaqi.
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