Transatlantic voyages -- Fiction; Venice (Italy) -- Fiction; Voyages and travels -- Fiction; Young women -- Fiction
The woman stirred impatiently in her chair, as if both voices had been
repeating something heard many times before. They seemed to renew her
discontent. “Yes, I know; I know all that, father. But it ain't the
mahogany I think of. It's the child's gettin' there safe and well.”
“Well,” said the old man, “I asked the captain about the seasickness,
and he says she ain't nigh so likely to be sick as she would on the
steamer; the motion's more regular, and she won't have the smell of the
machinery. That's what he said. And he said the seasickness would do her
good, any way. I'm sure I don't want her to be sick any more than you
do, Maria.” He added this like one who has been unjustly put upon his
defense.
They now both remained silent, the woman rocking herself and fanning,
and the old man holding his fingers suspended from their drubbing upon
the table, and looking miserably from the woman in the rocking-chair
to the girl at the window, as if a strict inquiry into the present
situation might convict him of it in spite of his innocence. The girl
still sat with her face turned from them, and still from time to time
she put her handkerchief to her eyes and wiped away the tears. The
locust in the maple began again, and shrilled inexorably. Suddenly the
girl leaped to her feet.
“There's the stage!” she cried, with a tumult in her voice and manner,
and a kind of choking sob. She showed, now that she stood upright, the
slim and elegant shape which is the divine right of American girlhood,
clothed with the stylishness that instinctive taste may evoke, even in a
hill town, from study of paper patterns, Harper's Bazar, and the costume
of summer boarders. Her dress was carried with spirit and effect.
“Lydia Blood!” cried the other woman, springing responsively to her
feet, also, and starting toward the girl, “don't you go a step without
you feel just like it! Take off your things this minute and stay, if
you wouldn't jus' as lives go. It's hard enough to _have_ you go, child,
without seemin' to force you!”
“Oh, aunt Maria,” answered the girl, piteously, “it almost kills me to
go; but _I'm_ doing it, not you. I know how you'd like to have me stay.
But don't say it again, or I couldn't bear up; and I'm going now, if I
have to be carried.”
The old man had risen with the others; he was shorter than either, and
as he looked at them he seemed half awed, half bewildered, by so much
drama. Yet it was comparatively very little. The girl did not offer to
cast herself upon her aunt's neck, and her aunt did not offer her an
embrace, it was only their hearts that clung together as they simply
shook hands and kissed each other. Lydia whirled away for her last look
at herself in the glass over the table, and her aunt tremulously began
to put to rights some slight disorder in the girl's hat.
Public-domain text, read in full here on John Shaqi.
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