Transatlantic voyages -- Fiction; Venice (Italy) -- Fiction; Voyages and travels -- Fiction; Young women -- Fiction
“Why, I rather like that, you know. We all read in such a literary way,
now; we don't read simply for the joy or profit of it; we expect to talk
about it, and say how it is this and that; and I've no doubt that we're
sub-consciously harassed, all the time, with an automatic process of
criticism. Now Lurella, I fancy, reads with the sense of the days when
people read in private, and not in public, as we do. She believes that
your serious books are all true; and she knows that my novels are all
lies--that's what some excellent Christians would call the fiction even
of George Eliot or of Hawthorne; she would be ashamed to discuss the
lives and loves of heroes and heroines who never existed. I think that's
first-rate. She must wonder at your distempered interest in them. If
one could get at it, I suppose the fresh wholesomeness of Lurella's mind
would be something delicious,--a quality like spring water.”
He was one of those men who cannot rest in regard to people they meet
till they have made some effort to formulate them. He liked to ticket
them off; but when he could not classify them, he remained content with
his mere study of them. His habit was one that does not promote sympathy
with one's fellow creatures. He confessed even that it disposed him to
wish for their less acquaintance when once he had got them generalized;
they became then collected specimens. Yet, for the time being, his
curiosity in them gave him a specious air of sociability. He lamented
the insincerity which this involved, but he could not help it. The next
novelty in character was as irresistible as the last; he sat down before
it till it yielded its meaning, or suggested to him some analogy by
which he could interpret it.
With this passion for the arrangement and distribution of his neighbors,
it was not long before he had placed most of the people on board in what
he called the psychology of the ship. He did not care that they should
fit exactly in their order. He rather preferred that they should have
idiosyncrasies which differentiated them from their species, and he
enjoyed Lydia's being a little indifferent about books for this and for
other reasons. “If she were literary, she would be like those vulgar
little persons of genius in the magazine stories. She would have read
all sorts of impossible things up in her village. She would have
been discovered by some aesthetic summer boarder, who had happened to
identify her with the gifted Daisy Dawn, and she would be going out on
the aesthetic's money for the further expansion of her spirit in Europe.
Somebody would be obliged to fall in love with her, and she would
sacrifice her career for a man who was her inferior, as we should be
subtly given to understand at the close. I think it's going to be as
distinguished by and by not to like books as it is not to write them.
Lurella is a prophetic soul; and if there's anything comforting about
her, it's her being so merely and stupidly pretty.”
Public-domain text, read in full here on John Shaqi.
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