Japan -- History -- Meiji period, 1868-1912 -- Fiction
Have you ever seen these dolls that have a weight in them, so that you
can push them over and they stand right up again? Well I have a large
one and her name is Susie Damn. When things reach the limit of
endurance, I take it out on Susie Damn. I box her jaws and knock her
over, and up she comes every time with such a pleasant smile that I
get in a good humor again.
What is the matter with you at home? Why don't you write to me? I
used to get ten and twelve letters every mail, and now if I get one I
am ready to cry for joy. Because I am busy does not mean that I
haven't time to be lonely. Why, Mate, you can never know what
loneliness means until you are entirely away from everything you
love. I have tried to be brave but I haven't always made a grand
success of it. What I have suffered--well don't let me talk about
it. As Little Germany says, to live is to love, and to love is to
suffer. And yet it is for that love we are ready to suffer and die,
and without it life is a blank, a sail without a wind, a frame without
the picture!
Now to-morrow I may get one of your big letters, and you will tell me
how grand I am, and how my soul is developing, etc., and I'll get such
a stiff upper lip that my front teeth will be in danger. It takes a
stiff upper lip, and a stiff conscience, and a stiff everything else
to keep going out here!
From the foregoing outburst you probably think I am pale and dejected.
"No, on the contrary," as the seasick Frenchman said when asked if he
had dined. I am hale and hearty, and I never had as much color in my
life. The work is booming, and I have all sorts of things to be
thankful for.
Our little household has been very much upset this week by the death
of our cook. The funeral took place last night at seven o'clock from
the lodge house at the gate. The shadows made on the paper screens as
they prepared him for burial, told an uncanny story. The lack of
delicacy, the coarseness, the total disregard for the dignity of death
were all pictured on the doors. I stood in the chapel and watched
with a sick heart. After they had crowded the poor old body into a
sitting position in a sort of square tub, they brought it out to the
coolies who were to carry it to the temple, and afterward to the
crematory. The lanterns flickered with an unsteady light, making
grotesque figures that seemed to dance in fiendish glee on the
grass. The men laughed and chattered, and at last shouldered their
burden and trotted off as merrily as if they were going to a matsuri.
I never before felt the cruelty of heathenism so keenly. No punishment
in the next world can equal the things they miss in this life by a
lack of belief in a personal God.
It must be very beautiful at home about this time. The beech trees are
all green and gold, and the maples are blazing. I am thinking too
about the shadows on the old ice-house. I know every one of them by
heart, and they often come to haunt me as do many other shadows of the
sad, sad past.
Public-domain text, read in full here on John Shaqi.
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