Unfortunately, he had already embarked in an enterprise which was
destined to overthrow his fortunes just when they seemed fairest. While
at school in Kelso he had become intimate with a school fellow named
James Ballantyne, and later, when Ballantyne set up a small printing
house in Kelso, he had given him his earliest poems to print. After the
issue of the _Border Minstrelsy_, the typographical excellence of which
attracted attention even in London, he set Ballantyne up in business in
Edinburgh, secretly entering the firm himself as silent partner. The
good sale of the _Lay_ had given the firm an excellent start; but more
matter was presently needed to feed the press. To supply it, Scott
undertook and completed at Ashestiel four enormous tasks of
editing--the complete works of Dryden and of Swift, the Somers' Tracts,
and the Sadler State Papers. The success of these editions, and the
subsequent enormous sale of Scott's poems and novels, would have kept
the concern solvent in spite of Ballantyne's complete incapacity for
business, but in 1809 Scott plunged recklessly into another and more
serious venture. A dispute with Constable, the veteran publisher and
bookseller, aggravated by the harsh criticism delivered upon _Marmion_
by Francis Jeffrey, editor of the _Edinburgh Review_, Constable's
magazine, determined Scott to set up in connection with the Ballantyne
press a rival bookselling concern, and a rival magazine, to be called
the _Quarterly Review_. The project was a daring one, in view of
Constable's great ability and resources; to make it foolhardy to madness
Scott selected to manage the new business a brother of James Ballantyne,
a dissipated little buffoon, with about as much business ability and
general caliber of character as is connoted by the name which Scott
coined for him, "Rigdumfunnidos." The selection of such a man for such a
place betrays in Scott's eminently sane and balanced mind a curious
strain of impracticality, to say the least; indeed, we are almost
constrained to feel with his harsher critics that it betrays something
worse than defective judgment--defective character. His greatest
failing, if failing it can be called, was pride. He could not endure
even the mild dictations of a competent publisher, as is shown by his
answer to a letter written by one of them proposing some salaried work;
he replied curtly that he was a "black Hussar" of literature, and not to
be put to such tame service. Probably this haughty dislike of dictation,
this imperious desire to patronize rather than be patronized, led him to
choose inferior men with whom to enter into business relations. If so,
he paid for the fault so dearly that it is hard for a biographer to
press the issue against him.
Public-domain text, read in full here on John Shaqi.
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