In order rightly to appreciate the poetry of Scott it is necessary to
understand something of that remarkable "Romantic Movement" which took
place toward the end of the eighteenth century, and within a space of
twenty-five years completely changed the face of English literature.
Both the causes and the effects of this movement were much more than
merely literary; the "romantic revival" penetrated every crevice and
ramification of life in those parts of Europe which it affected; its
social, political, and religious results were all deeply significant.
But we must here confine ourselves to such aspects of the revival as
showed themselves in English poetry.
Eighteenth century poetry had been distinguished by its polish, its
formal correctness, or--to use a term in much favor with critics of that
day--its "elegance." The various and wayward metrical effects of the
Elizabethan and Jacobean poets had been discarded for a few
well-recognized verse forms, which themselves in turn had become still
further limited by the application to them of precise rules of
structure. Hand in hand with this restricting process in meter, had gone
a similar tendency in diction. The simple, concrete phrases of daily
speech had given way to stately periphrases; the rich and riotous
vocabulary of earlier poetry had been replaced by one more decorous,
measured, and high-sounding. A corresponding process of selection and
exclusion was applied to the subject matter of poetry. Passion, lyric
exaltation, delight in the concrete life of man and nature, passed out
of fashion; in their stead came social satire, criticism, generalized
observation. While the classical influence, as it is usually called, was
at its height, with such men as Dryden and Pope to exemplify it, it did
a great work; but toward the end of the eighth decade of the eighteenth
century it had visibly run to seed. The feeble Hayley, the silly Della
Crusca, the arid Erasmus Darwin, were its only exemplars. England was
ripe for a literary revolution, a return to nature and to passion; and
such a revolution was not slow in coming.
Public-domain text, read in full here on John Shaqi.
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