The appointed day arrived. From far and near the people gathered, and
thronged the great galleries of the arena, and crowds, unable to gain
admittance, massed themselves against its outside walls. The king and
his court were in their places, opposite the twin doors, those fateful
portals, so terrible in their similarity.
All was ready. The signal was given. A door beneath the royal party
opened, and the lover of the princess walked into the arena. Tall,
beautiful, fair, his appearance was greeted with a low hum of
admiration and anxiety. Half the audience had not known so grand a
youth had lived among them. No wonder the princess loved him! What a
terrible thing for him to be there!
As the youth advanced into the arena he turned, as the custom was, to
bow to the king, but he did not think at all of that royal personage.
His eyes were fixed upon the princess, who sat to the right of her
father. Had it not been for the moiety of barbarism in her nature it is
probable that lady would not have been there, but her intense and
fervid soul would not allow her to be absent on an occasion in which
she was so terribly interested. From the moment that the decree had
gone forth that her lover should decide his fate in the king's arena,
she had thought of nothing, night or day, but this great event and the
various subjects connected with it. Possessed of more power, influence,
and force of character than any one who had ever before been interested
in such a case, she had done what no other person had done,--she had
possessed herself of the secret of the doors. She knew in which of the
two rooms, that lay behind those doors, stood the cage of the tiger,
with its open front, and in which waited the lady. Through these thick
doors, heavily curtained with skins on the inside, it was impossible
that any noise or suggestion should come from within to the person who
should approach to raise the latch of one of them. But gold, and the
power of a woman's will, had brought the secret to the princess.
Public-domain text, read in full here on John Shaqi.
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