The _drawingroom_ should be fitted up with more elegance than any other room in the house. The walls may be panelled, and the panels filled in with fluted silk, with a gilt moulding round them; or the walls may be covered with flock or satin paper, with a gilt moulding under the cornice. In either case the cornice should be rich; and there should be bosses on the ceiling to indicate the place for the chandeliers, if you have any. A slight degree of conformity between the style of the furniture and that of the house is, I think, advisable; but, as your house appears to have had additions made to it in different reigns, almost any style of furniture that suits your own taste may be adopted without incongruity. There should be several large looking-glasses, two or more chandeliers; and against the walls there should be a few choice cabinet pictures, which should be characterised by delicacy and beauty rather than force. A Claude or two, some of Guido's exquisite female heads, and one of Raphael's Madonnas, would be very suitable, or modern paintings of first-rate artists; but I think no picture should be admitted unless its subject is elegant as well as pleasing. There should be large mirrors in panels, or in richly gilt frames, and a very handsome white marble chimney-piece, as I see there is but one indicated in the plan, with a very rich-looking steel grate, made low to show an ornamented back. I suppose the windows near the fireplace are false ones, as otherwise there would be a cross light; the three windows opening on the terrace are, however, quite sufficient to give light to the room; and that at the south end I should like to see opening into a conservatory. I scarcely know what colour to recommend for the hangings of the walls. Full-toned colours lessen the size of a room, and light colours enlarge it. Crimson is very becoming to female beauty, and it has besides the advantage of being in perfect keeping with the character of a drawingroom in an old mansion. The curtains should be silk or silk damask, and made with either a piped valance or very deep gold fringe; and the inner muslin curtains should have a rich border, and be trimmed with either lace, or with silk fringe of the same colour as the outer curtains. The chairs should correspond, and should have a great deal of gilding about them. The carpet should be Wilton, and made in one piece, of a pattern to fit the room; and this pattern should consist chiefly of flowers. There should be several sofas and ottomans and ornamental footstools, an excellent piano, and a harp, ornamental screens to correspond with the style of the curtains; consoles with richly gilt frames, and looking-glass slabs and brackets for ornamental china; candelabra for lights; an elegant ormolu clock; and in short, a variety of articles that will suggest themselves; only take care not to crowd the room too much, lest you should give it the air of an upholsterer's warehouse rather than a drawingroom.