“If you are resolved to make a joke of it I cannot help it,” said
Chatty, “but I warn you that it is not agreeable to me, Mr. Temple. Let
us talk of something else. In the Highlands,” she said, with dignity,
“we take different views of many things.”
“There are some things,” I said, “of which but one view is
possible--that I should have the audacity and impertinence to laugh at
anything for which you have a veneration! I believe it is only because I
was so frightened”--
She smiled again in her lovely motherly way, a smile of indulgence and
forgiveness and bounty. “You are too humble now,” she said, “and I think
I hear someone calling me. It is time to go in.”
And to be sure there was someone calling her; there always was, I think,
at all hours of the night and day.
CHAPTER II
To say that I got rid of the recollection of the Lady of Ellermore when
I went upstairs, after a cheerful evening, through a long and slippery
gallery to my room in the wing, would be untrue. The curious experience
I had just had dwelt in my mind with a touch of not unpleasant
perplexity. “Of course,” I said to myself, “there must be something to
account for those footsteps--some hidden way in which the sounds must
come.” Perhaps my first idea would turn out to be correct--that there
was a byroad to the farm or to the stables, which in some states of the
atmosphere, or perhaps it might even be always, echoed back the sounds
of passing feet in some subterranean vibration. One has heard of such
things, one has heard, indeed, of every kind of natural wonder, some of
them no more easy to explain than the other interpretation; but so long
as you have science with you, whether you understand it or not, you are
all right. I could not help wondering, however, whether, if by chance I
heard those steps in the long gallery outside my door, I should refer
the matter comfortably to the science of acoustics. I was tormented,
until I fell asleep, by a vague expectation of hearing them. I could not
get them out of my mind or out of my ears, so distinct were they--the
light step, soft but with energy in it, evidently a woman’s step. I
could not help recollecting, with a tingling sensation through all my
veins, the distinctness of the turn it gave--the coming back, the steps
going in a line opposite to ours. It seemed to me that from moment to
moment I must hear it again in the gallery, and then how could it be
explained?
Public-domain text, read in full here on John Shaqi.
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