The Lady with the Dog and Other StoriesChekhov, Anton Pavlovich
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The Lady with the Dog and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
"She wants me, not the flat. But what's the good of talking?" sighed
Orlov. "I only hear endless conversations, but no way out of my
position. It certainly is a case of 'being guilty without guilt.' I
don't claim to be a mushroom, but it seems I've got to go into the
basket. The last thing I've ever set out to be is a hero. I never could
endure Turgenev's novels; and now, all of a sudden, as though to spite
me, I've heroism forced upon me. I assure her on my honour that I'm not
a hero at all, I adduce irrefutable proofs of the same, but she doesn't
believe me. Why doesn't she believe me? I suppose I really must have
something of the appearance of a hero."
"You go off on a tour of inspection in the provinces," said Kukushkin,
laughing.
"Yes, that's the only thing left for me."
A week after this conversation Orlov announced that he was again ordered
to attend the senator, and the same evening he went off with his
portmanteaus to Pekarsky.
XI
An old man of sixty, in a long fur coat reaching to the ground, and a
beaver cap, was standing at the door.
"Is Georgy Ivanitch at home?" he asked.
At first I thought it was one of the moneylenders, Gruzin's creditors,
who sometimes used to come to Orlov for small payments on account; but
when he came into the hall and flung open his coat, I saw the thick
brows and the characteristically compressed lips which I knew so well
from the photographs, and two rows of stars on the uniform. I recognised
him: it was Orlov's father, the distinguished statesman.
I answered that Georgy Ivanitch was not at home. The old man pursed up
his lips tightly and looked into space, reflecting, showing me his
dried-up, toothless profile.
"I'll leave a note," he said; "show me in."
He left his goloshes in the hall, and, without taking off his long,
heavy fur coat, went into the study. There he sat down before the table,
and, before taking up the pen, for three minutes he pondered, shading
his eyes with his hand as though from the sun--exactly as his son did
when he was out of humour. His face was sad, thoughtful, with that look
of resignation which I have only seen on the faces of the old and
religious. I stood behind him, gazed at his bald head and at the hollow
at the nape of his neck, and it was clear as daylight to me that this
weak old man was now in my power. There was not a soul in the flat
except my enemy and me. I had only to use a little physical violence,
then snatch his watch to disguise the object of the crime, and to get
off by the back way, and I should have gained infinitely more than I
could have imagined possible when I took up the part of a footman. I
thought that I could hardly get a better opportunity. But instead of
acting, I looked quite unconcernedly, first at his bald patch and then
at his fur, and calmly meditated on this man's relation to his only son,
and on the fact that people spoiled by power and wealth probably don't
want to die....
Public-domain text, read in full here on John Shaqi.
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