The Lady with the Dog and Other StoriesChekhov, Anton Pavlovich
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The Lady with the Dog and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
"And can't you stay?" she asked, and tears trickled down her cheeks
again. "I am ashamed to trouble you, but if you would be so good.... For
God's sake," she went on in an undertone, glancing towards the door, "do
stay to-night with us! She is all I have ... my only daughter.... She
frightened me last night; I can't get over it.... Don't go away, for
goodness' sake!..."
He wanted to tell her that he had a great deal of work in Moscow, that
his family were expecting him home; it was disagreeable to him to spend
the evening and the whole night in a strange house quite needlessly; but
he looked at her face, heaved a sigh, and began taking off his gloves
without a word.
All the lamps and candles were lighted in his honour in the drawing-room
and the dining-room. He sat down at the piano and began turning over the
music. Then he looked at the pictures on the walls, at the portraits.
The pictures, oil-paintings in gold frames, were views of the Crimea--a
stormy sea with a ship, a Catholic monk with a wineglass; they were all
dull, smooth daubs, with no trace of talent in them. There was not a
single good-looking face among the portraits, nothing but broad
cheekbones and astonished-looking eyes. Lyalikov, Liza's father, had a
low forehead and a self-satisfied expression; his uniform sat like a
sack on his bulky plebeian figure; on his breast was a medal and a Red
Cross Badge. There was little sign of culture, and the luxury was
senseless and haphazard, and was as ill fitting as that uniform. The
floors irritated him with their brilliant polish, the lustres on the
chandelier irritated him, and he was reminded for some reason of the
story of the merchant who used to go to the baths with a medal on his
neck....
He heard a whispering in the entry; some one was softly snoring. And
suddenly from outside came harsh, abrupt, metallic sounds, such as
Korolyov had never heard before, and which he did not understand now;
they roused strange, unpleasant echoes in his soul.
"I believe nothing would induce me to remain here to live ..." he
thought, and went back to the music-books again.
"Doctor, please come to supper!" the governess called him in a low
voice.
He went into supper. The table was large and laid with a vast number of
dishes and wines, but there were only two to supper: himself and
Christina Dmitryevna. She drank Madeira, ate rapidly, and talked,
looking at him through her pince-nez:
"Our workpeople are very contented. We have performances at the factory
every winter; the workpeople act themselves. They have lectures with a
magic lantern, a splendid tea-room, and everything they want. They are
very much attached to us, and when they heard that Lizanka was worse
they had a service sung for her. Though they have no education, they
have their feelings, too."
"It looks as though you have no man in the house at all," said Korolyov.
Public-domain text, read in full here on John Shaqi.
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