The Lady with the Dog and Other StoriesChekhov, Anton Pavlovich
General
The Lady with the Dog and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
It was clear: Kitten was playing a prank. Who would seriously dream of
making an appointment at night in the cemetery far out of the town, when
it might have been arranged in the street or in the town gardens? And
was it in keeping with him--a district doctor, an intelligent, staid
man--to be sighing, receiving notes, to hang about cemeteries, to do
silly things that even schoolboys think ridiculous nowadays? What would
this romance lead to? What would his colleagues say when they heard of
it? Such were Startsev's reflections as he wandered round the tables at
the club, and at half-past ten he suddenly set off for the cemetery.
By now he had his own pair of horses, and a coachman called Panteleimon,
in a velvet waistcoat. The moon was shining. It was still warm, warm as
it is in autumn. Dogs were howling in the suburb near the
slaughter-house. Startsev left his horses in one of the side-streets at
the end of the town, and walked on foot to the cemetery.
"We all have our oddities," he thought. "Kitten is odd, too; and--who
knows?--perhaps she is not joking, perhaps she will come"; and he
abandoned himself to this faint, vain hope, and it intoxicated him.
He walked for half a mile through the fields; the cemetery showed as a
dark streak in the distance, like a forest or a big garden. The wall of
white stone came into sight, the gate.... In the moonlight he could read
on the gate: "The hour cometh." Startsev went in at the little gate, and
before anything else he saw the white crosses and monuments on both
sides of the broad avenue, and the black shadows of them and the
poplars; and for a long way round it was all white and black, and the
slumbering trees bowed their branches over the white stones. It seemed
as though it were lighter here than in the fields; the maple-leaves
stood out sharply like paws on the yellow sand of the avenue and on the
stones, and the inscriptions on the tombs could be clearly read. For the
first moments Startsev was struck now by what he saw for the first time
in his life, and what he would probably never see again; a world not
like anything else, a world in which the moonlight was as soft and
beautiful, as though slumbering here in its cradle, where there was no
life, none whatever; but in every dark poplar, in every tomb, there was
felt the presence of a mystery that promised a life peaceful, beautiful,
eternal. The stones and faded flowers, together with the autumn scent of
the leaves, all told of forgiveness, melancholy, and peace.
All was silence around; the stars looked down from the sky in the
profound stillness, and Startsev's footsteps sounded loud and out of
place, and only when the church clock began striking and he imagined
himself dead, buried there for ever, he felt as though some one were
looking at him, and for a moment he thought that it was not peace and
tranquillity, but stifled despair, the dumb dreariness of
non-existence....
Public-domain text, read in full here on John Shaqi.
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