The Lake of LucerneMorris, Joseph E. (Joseph Ernest)
History
The Lake of Lucerne
Morris, Joseph E. (Joseph Ernest)
Lucerne Lake (Switzerland)
two down the valley, on the opposite shore of the lake, the graceful
peaks of Pilatus give a welcome note of contrast. The church has a
Romanesque tower; but the body, like most of those in the Alps, is
Classical rebuilding. In the graveyard, however, stands the medieval
bone-house, which, like others in the neighbourhood, is a separate
and complete little church. The bones have been removed, and perhaps
decently interred; but a tablet on the exterior still testifies to
the appalling slaughter here of the people of Nidwalden--women and
children, as well as men--to the number of more than four hundred, by
the savage French Republicans in 1798. This frightful massacre at the
hands of a brutal soldiery, infuriated by long resistance, lacked no
circumstance of horror--
"Wasting fire and dying groan,
And priests slain on the altar-stone"--
that, after the lapse of another century, may rival the German triumphs
in Belgium. The visitor will find himself repaid by prolonging his
adventure up the valley of the Nidwalden Aa to the upland vale of
Engelberg, where still stands the famous Benedictine monastery that
was founded circa 1120, and that received its present name ("Mons
Angelorum," or Hill of Angels) at the hands of Pope Calixtus II., from
the tradition, celebrated by Wordsworth in some feeble lines in 1820,
that the site was pointed out by angel songs. Roughly half-way up the
valley is the village of Wolfenschiessen, hard by whose parish church
is the little wooden house, or hermitage, that was inhabited by the
hermit, Conrad Scheuber (1480-1559), a grandson of Nicolas von der
Flüe. This was built on the mountain pastures of the Bettelirüt, high
above Wolfenschiessen, in 1547; and was transplanted to its present
site in 1867. On the hermitage, or church--I foolishly seem to have
made no note on the spot, and my recollection is misty--is a series
of naïve paintings, representing scenes from the life of the hermit,
and showing him engaged (unless I mistake) in the congenial medieval
hermit-task of outwitting, or otherwise discomforting, a very material
devil, or devils.
[Illustration: BECKENRIED.]
Public-domain text, read in full here on John Shaqi.
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