Thus in one village the costume is all black and white, the cut and make of an almost conventual simplicity, forming a _piquante_ contrast to the blooming faces and seductive glances of the beautiful wearers, who thus give the impression of a band of light-hearted maidens masquerading in nun’s attire. In other hamlets I have visited blue or scarlet was the prevailing color; and a few steps over the Roumanian frontier will show us glittering costumes covered with embroidery and spangles, rich and gaudy as the attire of some Oriental princess stepped straight out of the “Arabian Nights.” The Roman aprons, here called _câtrinte_, are in some districts—as, for instance, in the Banat—composed of long scarlet fringes, fully three-quarters of a yard in length, and depending from a very few inches of solid stuff at the top. The _résumé_ of this attire—a linen shirt and a little fringe as sole covering for a full-grown woman—may, in theory, be startling to our English sense of propriety, but in practice the effect has nothing objectionable about it. Dress, after all, is merely a matter of comparison, as we are told by a witty French writer. A Wallachian woman considers herself fully dressed with a _chemise_, while a Hungarian thinks herself naked with only three skirts. The head-dress varies much with the different districts; sometimes it is a brightly colored shawl or handkerchief, oftener a creamy filmy veil, embroidered or spangled, and worn with ever-varied effect; occasionally it is wound round the head turban fashion, now floating down the back like a Spanish mantilla, or coquettishly drawn forward and concealing the lower part of the face, or again twisted up in Satanella-like horns, which give the wearer a slightly demoniacal appearance. Whatever is tight or strained-looking about the dress is considered unbeautiful; the folds must always flow downward in soft easy lines, the sleeves should be full and bulging, and the skirt long enough to conceal the feet, so that in dancing only the toes are visible. The men have also much variety in their dress for grand occasions, but for ordinary wear they confine themselves to a plain coarse linen shirt, which hangs down over the trousers like a workman’s blouse, confined at the waist by a broad red or black leather belt, which contains various receptacles for holding money, pistols, knife and fork, etc. The trousers, which fit rather tightly to the leg, are in summer of linen, in winter of a coarse sort of white cloth. Of the same cloth is made the large overcoat which he wears in winter, sometimes replaced by a sheepskin pelisse. Both sexes wear on the feet a sort of sandal called _opintschen_, which consists of an oval-shaped piece of leather drawn together by leather thongs, beneath which the feet are swaddled in wrappings of linen or woollen rags.