The Land Beyond the Forest: Facts, Figures, and Fancies from TransylvaniaGerard, E. (Emily)
History
The Land Beyond the Forest: Facts, Figures, and Fancies from Transylvania
Gerard, E. (Emily)
Transylvania (Romania) -- Description and travel
At midnight, or sometimes later, when the guests are about to depart,
there prevails in some villages a custom which goes by the name of _den
borten abtanzen_, dancing down the bride’s crown. This head-covering,
which I have already described, is the sign of her maidenhood, which
she must lay aside now that she has become a wife, and it is danced
off in the following manner: All the married women present, except
the very oldest and most decrepit, join hands—two of them, appointed
as brideswomen, taking the bride between them. Thus forming a wide
circle, they dance backward and forward round and round the room,
sometimes forming a knot in the centre, sometimes far apart, till
suddenly, either by accident or on purpose, the chain is broken
through at one place, which is the signal for all to rush out into
the court-yard, still holding hands. From some dark corner there now
springs unexpectedly a stealthy robber, one of the bridesmen, who has
been lying there in ambush to rob the bride of her crown. Sometimes
she is defended by two brothers or relations, who, dealing out blows
with twisted up handkerchiefs or towels, endeavor to keep the thief
at a distance; but the struggle always ends with the loss of the
head-dress, which the young matron bewails with many tears and sobs.
The brideswomen now solemnly invest her with her new head-gear, which
consists of a snowy cap and veil, held together by silver or jewelled
pins, sometimes of considerable value. This head-dress, which fits
close to the face, concealing all the hair, has a nun-like effect, but
is not unbecoming to fresh young faces.
Sometimes, after the bride is invested in her matronly head-gear, she,
along with two other married women (in some villages old, in others
young), is concealed behind a curtain or sheet, and the husband is
made to guess which is his wife, all three trying to mislead him by
grotesque gestures from beneath the sheet.
On the morning after the wedding bridesmen and brideswomen early repair
to the room of the newly married couple, presenting them with a cake
in which hairs of cows and buffaloes, swine’s bristles, feathers, and
egg-shells are baked. Both husband and wife must at least swallow a
bite of this unsavory compound, to insure the welfare of cattle and
poultry during their married life.[17]
Public-domain text, read in full here on John Shaqi.
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