"'Well, _we_ know,' said the Jack-in-a-box, 'and that's all that's
needed. 'Now, my friends,' he continued, addressing the toys who had
begun to crowd round us, 'whoever recognizes a mistress and remembers
a grudge--the hour of our revenge has come. Can we any of us forget
the treatment we received at her hands? No! When we think of the
ingenious fancy, the patient skill, that went to our manufacture; that
fitted the delicate joints and springs, laid on the paint and varnish,
and gave back-hair combs, and ear-rings to our smallest dolls, we feel
that we deserved more care than we received. When we reflect upon the
kind friends who bought us with their money, and gave us away in the
benevolence of their hearts, we know that for their sakes we ought to
have been longer kept and better valued. And when we remember that the
sole object of our own existence was to give pleasure and amusement to
our possessors, we have no hesitation in believing that we deserved a
handsomer return than to have had our springs broken, our paint
dirtied, and our earthly careers so untimely shortened by wilful
mischief or fickle neglect. My friends, the prisoner is at the bar.'
"'I am not, I said; for I was determined not to give in as long as
resistance was possible. But as I said it I became aware, to my
unutterable amazement, that I was inside the go-cart. How I got there
is to this moment a mystery to me--but there I was.
"There was a great deal of excitement about the Jack-in-a-box's
speech. It was evident that he was considered an orator, and, indeed,
I have seen counsel in a real court look wonderfully like him.
Meanwhile, my old toys appeared to be getting together. I had no idea
that I had had so many. I had really been very fond of most of them,
and my heart beat as the sight of them recalled scenes long forgotten,
and took me back to childhood and home. There were my little gardening
tools, and my slate, and there was the big doll's bedstead, that had a
real mattress, and real sheets and blankets, all marked with the
letter D, and a work-basket made in the blind school, and a shilling
School of Art paint box, and a wooden doll we used to call the
Dowager, and innumerable other toys which I had forgotten till the
sight of them recalled them to my memory, but which have again passed
from my mind. Exactly opposite to me stood the Chinese mandarin,
nodding as I had never seen him nod since the day when I finally
stopped his performances by ill-directed efforts to discover how he
did it.
Public-domain text, read in full here on John Shaqi.
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