The land of the Hittites : $b An account of recent explorations and discoveries in Asia Minor, with descriptions of the Hittite monumentsGarstang, John
History
The land of the Hittites : $b An account of recent explorations and discoveries in Asia Minor, with descriptions of the Hittite monuments
Garstang, John
Hittites; Turkey -- Antiquities
We come, in conclusion, to the monument of Ivrîz,[453] which is best
approached from Tyana or Iconium by way of Eregli,[454] but is also
accessible to the adventurous traveller from Bulghar-Madên by traversing
the rocky snow-flecked ridge that lies between. From Eregli following up
the bed of the Kodja Su the dreary barren plains are left behind, and a
verdant though neglected valley is unfolded. The pathway lies through
old gardens and vineyards and reaches of corn-land; willows line the
waterside, and the country is cheered by a profusion of trees in which
the hazel and chestnut abound, with here and there a great walnut or a
row of poplars. The valley with its singular fertility and beauty is
in marked contrast to the arid tracts beyond, and the change is only
intensified where, leaving the main stream, the pathway follows up,
on the left bank, a richly wooded vale that trends towards the south.
This new valley leads into the mountain, and after a distance of nearly
three miles it comes to an abrupt end where the wall of Taurus is met,
rising almost precipitously, and encircling the head of the glen where
the hamlet of Ivrîz is found. At the foot of the rock a stream of water,
clear and cool, bursts out in tremendous volume, and, supplemented by
other similar sources, becomes in a hundred yards a raging and impassable
torrent, roaring with a wonderful noise as it foams and leaps over the
rocks in its course. Before joining the main stream of the valley it
washes at a bend the foot of a bare rock, upon which from the opposite
side there may be seen the famous sculptures,[455] the most striking of
all known Hittite works, and one of the most imposing monuments of the
ancient East.
The treatment of these sculptures is all in relief. In composition there
are two persons represented: the Peasant-god, a gigantic figure fourteen
feet in height, distinguished by the bunches of grapes and bearded wheat
which he holds, and the King-priest, an heroic figure eight feet in
height, facing towards the god, with clasped hands raised in adoration or
thanksgiving for his bounty.
Public-domain text, read in full here on John Shaqi.
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