We come now to the last sculptures of the series, which form a group of two figures.[544] The one is great and majestic, resembling on a large scale in all details the youthful figure that stands upon the lioness in the main series.[545] Only in this case the rings in the conical hat are prominent, and seem not to lie wholly between the ribs, but to be bisected by them. The left hand also, which in the other figure holds the double-headed axe, here grasps the upraised right wrist of a smaller figure, which his left arm enfolds about the neck. This smaller figure is in all respects similar to that which we have met with twice previously in the outer chamber,[546] clad in the toga as before, and carrying the lituus reversed in the hand which is free. The curled end of a pigtail is seen behind his shoulder, but this may be judged to belong to the larger figure, on account both of its large scale and position, and because the bare neck of the smaller figure is visible. Both figures are identified by the emblems which accompany them: the greater by the device of a small body and legs, held up as in its counterpart by the outstretched right hand; the smaller one by the composite group placed in the bare space above his head to the right. This is the same as that accompanying the figure mentioned,[547] except for the small central figure which is here replaced by a different symbol, thought by some to be a phallus. The symbols on either side give the impression of _uraei_ crowned with a disk, seen in full face, but the real motive is doubtful. * * * * *