Here, however, it is not a foreign enemy that is represented. The prostrate man conforms in general character to the North Syrian type, such as may be seen even in the charioteer within the car. He is apparently without clothing except for his cap, which is close-fitting; the curl of hair behind his neck is shown in outline, and even the toes of his shoeless feet are represented by the habit of the sculptor as being upturned. [Illustration: PLATE LXXV SCULPTURES FROM SINJERLI (_See p. 284_) 1. CEREMONIAL FEAST 2. WARRIOR] No. ii. The corresponding sculpture on the opposite face of this entrance—that is to say, on the eastern side, but still facing south, is the upright figure of a warrior armed with spear and shield as well as the customary long dagger or sword.[650] Curiously enough, he faces in the same direction as the chariot, namely, towards his left, looking therefore in this instance away from the gateway. The warrior stands with his left foot and left arm advanced; his body and face shown in profile, and his shoulders in full view, in obedience to the ordinary conventions of Oriental art. He is dressed in the familiar short tunic which is fringed at the bottom, and the overlap of the garment is seen falling obliquely in front; the upper part of his body is lightly covered with a short-sleeved vest. A broad girdle passes around the waist, and the long dagger hanging from his left side seems to have a special attachment which passes over the right shoulder. His head-dress is the conical hat of the Hittite peoples with the brim upturned, but with the top expanding like a ball. On his feet are shoes the points of which are extravagantly upturned, while around the ankles there is a suggestion of ornaments or of attachments, for binding on the shoes.[651] The features of the man, though conventional, are represented with boldness. The long straight nose in line with the forehead is drawn with deliberation. From the chin there falls a square-cut beard, and a moustache also is represented. The eye is shown in full profile, and is also too large in proportion. The conventional lock of hair, like the survival of a pigtail, falling from the crown of the head, ends in a broad curl behind the neck. The shield which he holds up is obviously intended to be of the figure-of-eight shape,[652] though the perspective of the picture has given the artist trouble. The spear, which he holds transversely with the point down, is longer than himself. The shaft is not drawn straight, possibly suggesting the natural shape of the branch of a tree. The blade is long and pointed, with indication of a midrib. His short weapon is probably a dagger, though represented of such length that it might also be a sword. The hilt is crescental,[653] with a notch on either side of the handle,[654] and is doubtless enclosed in a sheath; the midrib is well defined along its entire length.