The land of the Hittites : $b An account of recent explorations and discoveries in Asia Minor, with descriptions of the Hittite monumentsGarstang, John
History
The land of the Hittites : $b An account of recent explorations and discoveries in Asia Minor, with descriptions of the Hittite monuments
Garstang, John
Hittites; Turkey -- Antiquities
There remains to be mentioned one striking sculptured object, placed as
we have mentioned in the middle of the portico between the wing-towers,
and clearly defined as the base of an architectural column to support the
doorway. The design, in brief, suggests that the weight of the drum was
borne upon the backs of two sphinxes standing side by side. All round
the top edge the pedestal is decorated with a design of numerous fingers
placed side by side, the nails upwards; a similar object was found, as
we have seen, at Sinjerli, upon which this detail also was clear. The
rest of the sculpture is more simple, but equally striking, not merely
from the nature of the design, but from the beautiful quality of its
execution. The body of each sphinx seems to be that of an elongated lion.
Two paws are seen in front, three from the side and two from behind, so
that we have a new convention illustrated, which seems to be peculiar to
Hittite art. It recalls that of Assyrian art, but nevertheless differs
essentially. In both cases such animals are represented with five legs,
in order to give a realistic effect to each of the three points of view.
But in Assyrian art the front leg on the remote side would have been
repeated in the side view; whereas here it is the hind leg which is
duplicated. The human portrait upon this animal is remarkable, recalling
to a striking degree the head of the sphinx at Eyuk, and to a certain
extent the portrait statue of the Egyptian queen Nefret, to which we have
alluded.[695] It seems without doubt to represent a female. The face is
full, the lips are firm and somewhat severe, the eyes are hollowed as for
the reception of inlaid precious stones. The hair hangs in two ringlets
on either side, between which the ear can be seen. Upon the head there
is placed a close-fitting wig, or head-dress of that character, made, as
we may suspect, of plaited hair or of fine ropework, the strands of which
run from front to back. It ends with the shoulders in a triple border,
and is decorated on either side of the head with horn-like emblems.[696]
Public-domain text, read in full here on John Shaqi.
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