The land of the Hittites : $b An account of recent explorations and discoveries in Asia Minor, with descriptions of the Hittite monumentsGarstang, John
History
The land of the Hittites : $b An account of recent explorations and discoveries in Asia Minor, with descriptions of the Hittite monuments
Garstang, John
Hittites; Turkey -- Antiquities
The worship of a goddess with virtues so natural and with powers that it
was so desirable to propitiate would, in any case, it may be thought, be
readily acceptable to a peasant people. It became deeply rooted, and in
certain localities took special forms, reflected many centuries later in
rites like those of Ma at Comana, Kybele in Phrygia, Artemis at Ephesus,
and, latest of all, Semiramis at the post-Hittite city at Carchemish.
From the sculptures of Boghaz-Keui[836] it may be seen that, as in
Babylonia, there was already associated with her a youth, whose male
powers were necessary to complete her own. With her also there appears a
lioness or panther whose force and character seemed to be emblematic of
hers. Though clearly attributable to an earlier phase of thought, this
association may have been made before the cult was localised. There
are, however, traces in these sculptures of more primitive conceptions,
attributable to older strains of population. From the evidence in
general, four or five strata, indeed, may be discerned in the Hittite
pantheon. In the lowest of these there appear the purely elemental
forms, mountains and streams,[837] earth,[838] sun,[839] moon[840]
and star.[841] Passing from the inanimate to the animate, we find the
lion,[842] the bull,[843] the eagle,[844] the falcon or dove,[845] the
goat,[846] the stag, the serpent[847] and other living creatures, some
of them possibly adopted as tribal totems, and all no doubt representing
some special virtue or power that later became embodied in the deities
associated with them. Upon these substrata the gods of human form appear
to be imposed, and first among these the Mother-goddess. Already, as we
have noticed in these sculptures,[848] her supreme powers in life and her
unfathomable actions had found expression in the semblance of a lion,
before she was adopted by the mountain-worshippers; and another class of
monument, possibly of later evolution, seems to reveal her in another
aspect, as a goddess to be propitiated at death. The two ideas in her
case are not far separated; for just as in the simplest conception of her
powers through her the dead earth revived, while in her developed cult,
her dead son yet lived in her offspring (through her unnatural union
with him), so the instinctive belief of humanity in the incompleteness
of death found expression in offerings to her for the dead,[849] and in
communion of the dead at her table.[850] The idea of a future life after
death was inseparable from her worship.
Public-domain text, read in full here on John Shaqi.
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