[594] Macridy Bey, _op. cit._, figs. 23, 24. [595] Cf. the ‘Stadt-thor’ at Sinjerli; Von Luschan, _Ausgrabungen in Sendschirli_ (Berlin, 1902), Pls. XXIX., XXXIV.; and below, p. 274. [596] The recent excavators failed to see the remains of these sphinxes, _op. cit._, p. 11, but they are quite plain in profile after the earth has been cleared away; see a photo, _Liverpool Annals of Archæology_, i. (1908), Pl. III. [597] Cf. for example, Murray’s _Handbook for Asia Minor_, p. 27. [598] Pl. LXXII. Cf. the details of the Sphinx from Sakje-Geuzi, Pl. LXXXII. [599] Cf. Maspero, _The Struggle of the Nations_, p. 648. [600] See the photograph in Newberry, etc., _Short History of Egypt_ (ed. 1907), frontispiece. The special feature of the horseshoe-like head-dress occurs on scarabs of the Hyksos period (cf. the same writer’s _Scarabs_, London, 1906, Pl. XXV. No. 30), another suggestion of Asiatic origins. [601] Berlin Mus., Etruscan Rooms, No. 1251. Compare also some weathered statues from Sinjerli described below, pp. 297, 298. [602] Cf. Pl. XLIV. See also what is said about this cult on p. 359. [603] Cf. the round altars of Emir-Ghazi, p. 183, and the representations at Fraktin, Pl. XLVII. p. 150. [604] Cf. Sayce, _The Hittites_ (1903), p. 39, for revised translation of this passage in the treaty: cited below, p. 349. [605] Cf. Pl. LXVII. [606] Cf. Pls. LXV.-LXVII. [607] We cannot accept the theory of an intentional opening (Macridy Bey, _op. cit._, p. 11). [608] Cf. p. 105, Pl. XXXIX. [609] At the Liverpool Institute of Archæology. [610] Pl. LXXII. [611] The stones of the lower course vary from 3 ft. 11 in. to 4 ft. 2 in. [612] This is more clearly suggested in a second photograph taken in the afternoon, with the shadows to the right hand. [613] Traceable easily on the stone, but usually in shadow, owing to the projection of the stone of the upper course. [614] ‘The bagpipe consists of the skin of a dog apparently, the insufflation pipe being at the tail end, while the drone pipe was probably concealed within the dog’s head, with the vent through its mouth. The same idea was carried out in the Middle Ages in Europe. Cf. Aristophanes, _Acharnians_ (i. 866): ‘you flute-players who are here from Thebes blow the dog’s tail with your bone-pipes’ (Extract from a letter from Miss K. Schlesinger). [615] Pl. LIII. [616] Pl. LXV. [617] Pl. XLVII. [618] MM. Perrot and Guillaume in particular seem to have fallen before the pitfalls of perspective in the picture, and their drawing is misleading (_Exploration Archéologique, Cappadoce_, Pl. LXIV.; _Art in ... Asia Minor_, ii., fig. 338). They have been followed by others. [619] Perrot and Chipiez, _op. cit._, p. 174, fig. 339. [620] See below, Pls. LXXIX., LXXX. [621] See Perrot, _Art in ... Asia Minor_, ii., fig. 341 and fig. 340; _Exploration_, Pl. LVII. [622] Macridy Bey, _op. cit._, figs. 23, 24.