The Landlord at Lion's Head — Volume 1Howells, William Dean
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The Landlord at Lion's Head — Volume 1
Howells, William Dean
Artists -- Fiction; Massachusetts -- Fiction
"Well, sometimes it won't work," she returned, altogether mockingly now,
and sat holding her shapely hands, which were neither so large nor so
rough as they might have been, across her middle and watching her son
while the machine pushed about under his palm, and he bent his wan eyes
upon one of the oval-framed photographs on the wall, as if rapt in a
supernal vision. The boy stared drowsily at the planchette, jerking this
way and that, and making abrupt starts and stops. At last the young man
lifted his palm from it, and put it aside to study the hieroglyphics it
had left on the paper.
"What's it say?" asked his mother.
The young man whispered: "I can't seem to make out very clear. I guess I
got to take a little time to it," he added, leaning back wearily in his
chair. "Ever seen much of the manifestations?" he gasped at Westover.
"Never any, before," said the painter, with a leniency for the invalid
which he did not feel for his belief.
The young man tried for his voice, and found enough of it to say:
"There's a trance medium over at the Huddle. Her control says 't I can
develop into a writin' medium." He seemed to refer the fact as a sort of
question to Westover, who could think of nothing to say but that it must
be very interesting to feel that one had such a power.
"I guess he don't know he's got it yet," his mother interposed. "And
planchette don't seem to know, either."
"We ha'n't given it a fair trial yet," said the young man, impartially,
almost impassively.
"Wouldn't you like to see it do some of your sums, Jeff?" said the
mother to the drowsy boy, blinking in a corner. "You better go to bed."
The elder brother rose. "I guess I'll go, too."
The father had not joined their circle in the parlor, now breaking up by
common consent.
Mrs. Durgin took up her lamp again and looked round on the appointments
of the room, as if she wished Westover to note them, too: the drab
wallpaper, the stiff chairs, the long, hard sofa in haircloth, the high
bureau of mahogany veneer.
"You can come in here and set or lay down whenever you feel like it," she
said. "We use it more than folks generally, I presume; we got in the
habit, havin' it open for funerals."
VII.
Public-domain text, read in full here on John Shaqi.
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