The Lands of the Saracen: Pictures of Palestine, Asia Minor, Sicily, and SpainTaylor, Bayard
History
The Lands of the Saracen: Pictures of Palestine, Asia Minor, Sicily, and Spain
Taylor, Bayard
Middle East -- Description and travel; Spain -- Description and travel
We took a caïque, and were soon pulled out into the midst of a multitude
of other caïques, swarming all over the surface of the Golden Horn. The
view from this point was strange, fantastic, yet inconceivably gorgeous.
In front, three or four large Turkish frigates lay in the Bosphorus, their
hulls and spars outlined in fire against the dark hills and distant
twinkling lights of Asia. Looking to the west, the shores of the Golden
Horn were equally traced by the multitude of lamps that covered them, and
on either side, the hills on which the city is built rose from the
water--masses of dark buildings, dotted all over with shafts and domes of
the most brilliant light. The gateway on Seraglio Point was illuminated,
as well as the quay in front of the mosque of Tophaneh, all the cannons of
the battery being covered with lamps. The commonest objects shared in the
splendor, even a large lever used for hoisting goods being hung with
lanterns from top to bottom. The mosque was a mass of light, and between
the tall minarets flanking it, burned the inscription, in Arabic
characters, "Long life to you, O our Sovereign!"
The discharge of a cannon announced the Sultan's departure from his
palace, and immediately the guns on the frigates and the batteries on both
shores took up the salute, till the grand echoes, filling the hollow
throat of the Golden Horn, crashed from side to side, striking the hills
of Scutari and the point of Chalcedon, and finally dying away among the
summits of the Princes' Islands, out on the Sea of Marmora. The hulls of
the frigates were now lighted up with intense chemical fires, and an
abundance of rockets were spouted from their decks. A large Drummond light
on Seraglio Point, and another at the Battery of Tophaneh, poured their
rival streams across the Golden Horn, revealing the thousands of caïques
jostling each other from shore to shore, and the endless variety of gay
costumes with which they were filled. The smoke of the cannon hanging in
the air, increased the effect of this illumination, and became a screen of
auroral brightness, through which the superb spectacle loomed with large
and unreal features. It was a picture of air--a phantasmagoric spectacle,
built of luminous vapor and meteoric fires, and hanging in the dark round
of space. In spite of ourselves, we became eager and excited, half fearing
that the whole pageant would dissolve the next moment, and leave no trace
behind.
Public-domain text, read in full here on John Shaqi.
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