The Lands of the Saracen: Pictures of Palestine, Asia Minor, Sicily, and SpainTaylor, Bayard
History
The Lands of the Saracen: Pictures of Palestine, Asia Minor, Sicily, and Spain
Taylor, Bayard
Middle East -- Description and travel; Spain -- Description and travel
Meanwhile, the cannon thundered from a dozen batteries, and the rockets
burst into glittering rain over our heads. Grander discharges I never
heard; the earth shook and trembled under the mighty bursts of sound, and
the reverberation which rattled along the hill of Galata, broken by the
scattered buildings into innumerable fragments of sound, resembled the
crash of a thousand falling houses. The distant echoes from Asia and the
islands in the sea filled up the pauses between the nearer peals, and we
seemed to be in the midst of some great naval engagement. But now the
caïque of the Sultan is discerned, approaching from the Bosphorus. A
signal is given, and a sunrise of intense rosy and golden radiance
suddenly lights up the long arsenal and stately mosque of Tophaneh, plays
over the tall buildings on the hill of Pera, and falls with a fainter
lustre on the Genoese watch-tower that overlooks Galata. It is impossible
to describe the effect of this magical illumination. The mosque, with its
taper minarets, its airy galleries, and its great central dome, is built
of compact, transparent flame, and in the shifting of the red and yellow
fires, seems to flicker and waver in the air. It is as lofty, and
gorgeous, and unsubstantial as the cloudy palace in Cole's picture of
"Youth." The long white front of the arsenal is fused in crimson heat, and
burns against the dark as if it were one mass of living coal. And over all
hangs the luminous canopy of smoke, redoubling its lustre on the waters of
the Golden Horn, and mingling with the phosphorescent gleams that play
around the oars of the caïques.
A long barge, propelled by sixteen oars, glides around the dark corner of
Tophaneh, and shoots into the clear, brilliant space in front of the
mosque. It is not lighted, and passes with great swiftness towards the
brilliant landing-place. There are several persons seated under a canopy
in the stern, and we are trying to decide which is the Sultan, when a
second boat, driven by twenty-four oarsmen, comes in sight. The men rise
up at each stroke, and the long, sharp craft flies over the surface of
the water, rather than forces its way through it. A gilded crown surmounts
the long, curved prow, and a light though superb canopy covers the stern.
Under this, we catch a glimpse of the Sultan and Grand Vizier, as they
appear for an instant like black silhouettes against the burst of light on
shore.
Public-domain text, read in full here on John Shaqi.
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