THE LANGUAGE OF FLOWERS. [Illustration: ROSE, BLUE VIOLET, JASMINE MOSS ROSE, BUD. _Your beauty, modesty and amiability,_ _Have drawn from me a confession of love._ ] The Language of Flowers. THE FLORAL OFFERING: A TOKEN OF AFFECTION AND ESTEEM; COMPRISING The Language and Poetry of Flowers. WITH COLOURED ILLUSTRATIONS, FROM ORIGINAL DRAWINGS. BY HENRIETTA DUMONT. PHILADELPHIA: H. C. PECK & THEO. BLISS. 1851. Entered according to Act of Congress, in the year 1851, by H. C. PECK & THEO. BLISS, in the Clerk’s Office of the District Court of the Eastern District of Pennsylvania. STEREOTYPED BY L. JOHNSON AND CO. PHILADELPHIA. Preface. Why has the beneficent Creator scattered over the face of the earth such a profusion of beautiful flowers--flowers by the thousand and million, in every land--from the tiny snowdrop that gladdens the chill spring of the north, to the gorgeous magnolia that flaunts in the sultry regions of the tropics? Why is it that every landscape has its appropriate flowers, every nation its national flowers, every rural home its home flowers? Why do flowers enter and shed their perfume over every scene of life, from the cradle to the grave? Why are flowers made to utter all voices of joy and sorrow in all varying scenes, from the chaplet that adorns the bride to the votive wreath that blooms over the tomb? It is for no other reason than that flowers have in themselves a real and natural significance. They have a positive relation to man, his sentiments, passions, and feelings. They correspond to actual emotions. They have their mission--a mission of love and mercy. They have their language, and from the remotest ages this language has found its interpreters. In the East the language of flowers has been universally understood and applied “time out of mind.” Its meaning finds a place in their poetry and in all their literature, and it is familiarly known among the people. In Europe it has existed and been recognised for long ages among the people, although scarcely noticed by the literati until a comparatively recent period. Shakspeare, however, whom nothing escaped which was known to the people, exhibits his intimate acquaintance with the language of flowers in his masterly delineation of the madness of Ophelia. Recent writers in all languages recognise the beauty and propriety of this language to such an extent, that an acquaintance with it has now become indispensable as a part of a polished education.