The language of flowers : $b The floral offering ; a token of affection and esteem ; comprising the language and poetry of flowersDumont, Henrietta
General
The language of flowers : $b The floral offering ; a token of affection and esteem ; comprising the language and poetry of flowers
Dumont, Henrietta
Flower language; Flowers in literature
The primitive Pink is simple red or white, and scented; but cultivation
has varied the colour from the darkest purple to the purest white. Under
all its diversities, however, it retains its delicious, spicy fragrance,
and hence has been made the emblem of woman’s love, which no
circumstance can change. Florists designate two principal divisions of
these flowers, Pinks and Carnation. The former are marked by a spot
resembling an eye, and by a more humble growth. The flower of the
Carnation is much larger than that of the Pink, and of a deeper hue. The
Carnation was called by some of the old English writers the clove-gilly
flower, from its perfume resembling that of cloves.
* * * * *
She never told her love,
But let concealment, like a worm i’ the bud,
Feed on her damask cheek; she pined in thought;
And with a green and yellow melancholy,
She sat (like Patience on a monument)
Smiling at grief.
_Shakspeare._
* * * * *
It is a fearful thing,
To love as I love thee; to feel the world--
The bright, the beautiful, joy giving world--
A blank without thee. Never more to me
Can hope, joy, fear, wear different seeming. Now
I have no hope that does not dream for thee;
I have no joy that is not shared by thee;
I have no fear that does not dread for thee.
_L. E. L._
* * * * *
Alas! the love of woman! it is known
To be a lovely and a fearful thing;
For all of theirs upon that die is thrown,
And, if ’tis lost, life has no more to bring
To them but mockeries of the past alone.
_Byron._
SENSITIVE PLANT.... _Chastity_.
This singular plant is so named from its motions imitating the
sensibility of animal life. It contracts itself in the evening and
expands with the morning light, and shrinks from external violence,
folding up its leaves at the mere approach of one’s hand. The Violet is
the emblem of that retiring modesty which proceeds from reflection, but
the Sensitive Plant is a perfect image of innocence and virgin modesty,
the result of instinct.
* * * * *
So dear to heaven is saintly chastity,
That when a soul is found sincerely so,
A thousand liveried angels lackey her,
Driving far off each thing of sin and guilt.
_Milton._
* * * * *
Oh! she is colder than the mountain’s snow.
To such a subtile purity she’s wrought,
She’s prayed and fasted to a walking thought:
She’s an enchanted feast, most fair to sight,
And starves the appetite she does invite;
Flies from the touch of sense, and if you dare
To name but love she vanishes to air.
_Crown._
* * * * *
Public-domain text, read in full here on John Shaqi.
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