Michael O'Byrn, picturesquely Irish, so his name appeared on the
payroll, but from the cases to the press room they called him Micky.
Mike would have been a misfit, for its tang suggests a burly,
bull-necked son of Erin with fists like hams and a brogue of gravy-like
thickness, a boisterous, beefy, big-hearted broth of a boy of blows and
budge. Micky had the Irish heart, but he was short on fists and beef and
possessed the mere ghost of a brogue. Besides, O'Byrn's pseudonym
suggests juvenility, and Micky's four and twenty years, with their
palpable vicissitudes, had not robbed him of that saving grace. Indeed,
on meeting him, light-hearted and laughter-loving as he was in youth,
your imagination would experience little effort in leaping a long leap
into futurity to behold him a generation on, white-polled and with the
olden freckles faded in his wrinkled face; still the laugh on his lips,
the light of quizzical humor in his blue eyes. Glad he would always be,
because there would always bubble in his heart the fountain of eternal
youth.
The newspaper spirit had its embodiment in Micky O'Byrn, the tattered
knight of the road whose first story electrified the city editor of the
Courier. The spirit shone out of the portals of the twinkling Irish
eyes, eternally questioning. It reconnoitred the field from the bridge
of the nose that twitched with eagerness at the scent of a story, as a
pointer snuffs grouse. Within the mouth, that was always distended with
an ingratiating smile, dwelt in amity those heavenly twins, guile and
blarney. They served as forceful means to the eternal end of
news-seeking, and they were backed by ramparts of cheerful impudence
that flanked the whole freckled face. The chin was round, but a bump
peered forth that bespoke tenacity. He ordinarily displayed a guileless
expression that hid an unfathomed depth of resource. Once on the trail,
he could never be turned away. When one route to information failed, he
had a dozen others in readiness, leading by devious paths to the desired
end.
O'Byrn's appearance, when he had selected and donned his new ready-made
suit, rakish derby and vociferating shirt, was decidedly tracky. This
transformation occurred soon after he joined the Courier's staff. The
suit was checked in a pattern which cried aloud to heaven, the new
crimson tie adding its insistent clamor. The derby was done off in a
delicate drab. As for shoes, he selected tan oxfords with red ties. The
ensemble, to use a word that found much favor with Micky, "jibed"
harmoniously with his thick fell of lurid hair and his staring freckles.
In dress, as in all else, Micky was a pronounced radical.
Public-domain text, read in full here on John Shaqi.
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