Beijing (China) -- Description and travel; Beijing (China) -- History -- Siege, 1900
Our horses' hoofs sink deeper and deeper, disappear, in fact, in
the coal-black dust, which is blinding and all-pervading, in the
atmosphere as well as on the ground, in spite of the light rain and
the snowflakes which make our faces tingle.
Noiselessly, as though we were stepping upon wadding or felt, we pass
under the enormous vaults and enter the land of ruin and ashes.
A few slatternly beggars shivering in corners in their blue rags, a few
corpse-eating dogs, like those whose acquaintance we have already made
_en route_,--and that is all. Silence and solitude within as well as
without these walls. Nothing but rubbish and ruin, ruin.
The land of rubbish and ashes, and little gray bricks,--little bricks
all alike, scattered in countless myriads upon the sites of houses that
have been destroyed, or upon the pavement of what once were streets.
Little gray bricks,--this is the sole material of which Pekin was
built; a city of small, low houses decorated with a lacework of gilded
wood; a city of which only a mass of curious débris is left, after fire
and shell have crumbled away its flimsy materials.
We have come into the city at one of the corners where there was the
fiercest fighting,--the Tartar quarter, which contained the European
legations.
Long straight streets may still be traced in this infinite labyrinth
of ruins; ahead of us all is gray or black; to the sombre gray of the
fallen brick is added the monotonous tone which follows a fire,--the
gloom of ashes and the gloom of coal.
Sometimes in crossing the road they form obstacles,--these tiresome
little bricks; these are the remains of barricades where fighting must
have taken place.
After a few hundred metres we enter the street of the legations, upon
which for so many months the anxious attention of the whole world was
fixed.
Everything is in ruins, of course; yet European flags float on every
piece of wall, and we suddenly find, as we come out of the smaller
streets, the same animation as at Tien-Tsin,--a continual coming and
going of officers and soldiers, and an astonishing array of uniforms.
A big flag marks the entrance to what was our legation, two monsters
in white marble crouch at the threshold; this is the etiquette for all
Chinese palaces. Two of our soldiers guard the door which I enter, my
thoughts recurring to the heroes who defended it.
* * * * *
Public-domain text, read in full here on John Shaqi.
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