The Last Days of TolstoyChertkov, V. G. (Vladimir Grigorevich)
General
The Last Days of Tolstoy
Chertkov, V. G. (Vladimir Grigorevich)
Tolstoy, Leo, graf, 1828-1910
In this brief narrative exclusively devoted to one definite event in
the life of Leo Nikolaevitch and the internal and external
circumstances connected with that event, I have not made it my aim to
draw a general and complete picture of the characters of Leo
Nikolaevitch and Sofya Andreyevna. The limited range of my special
task laid upon me the necessity of keeping strictly within the limits
of those of their characteristics and peculiarities which in one way
or another threw a direct light upon the incident described. There
could be no question of an all-round and to any extent exhaustive
account of the characters of those persons, apart from the fact that
such a task is far beyond my capacity. The most important and perhaps
the most difficult aspect of the task which actually lay before me
consisted in exhibiting in their full force the circumstances which
in the end compelled Leo Nikolaevitch to take his final step, with
perfect truthfulness, exaggerating nothing, of course, but at the
same time concealing nothing from false delicacy. This I have tried
to do as conscientiously, carefully and truthfully as I can. Though I
might from the natural perhaps, but in the present case misplaced,
sensibility have smoothed over the extremes of Sofya Andreyevna's
behaviour, and have softened the real character of her attitude to
Leo Nikolaevitch, yet in doing that I should have deprived the
motives of his departure of reasonable basis and inevitability, and
should have set forth Leo Nikolaevitch's impulses in a more or less
distorted form--and that, of course, was inadmissible.
Even in the lifetime of Sofya Andreyevna Tolstoy I did at one time
entertain the idea of publishing the truth about Leo Nikolaevitch's
leaving home in her interests. I cherished the hope that from such a
truthful account she might derive some conception of how much Leo
Nikolaevitch suffered at her hands, how he struggled with himself,
how self-sacrificingly he returned her good for evil, how
persistently, in spite of everything, he believed in the divine spark
in her soul, and how he rejoiced and was touched at the slightest
gleam of that spark. And who knows, I said to myself, perhaps such a
presentation before her eyes of what really happened, in
contradistinction to the fantastic inventions with which she
screened the truth from herself--perhaps this truthful picture of
what Leo Nikolaevitch really did endure, might help her in time to
recognise the truth, to come to herself, and to become one in soul
with him who loved her so that he laid down his soul for her?
Public-domain text, read in full here on John Shaqi.
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