This was the creature who had helped him into the boat before light, who
had touched him. When the junk bumped into the masonry of the city’s
front, he tossed a silver dollar into the leper’s dress. She screamed
for more as she would have done had the piece been a double-eagle.
Fearful lest she should spring at him, the white man threw another coin
into her lap and fled.
Yet after all, he took Shanghai with something of a smile that day. The
first thought was to get clean clothes, but there is always formality
and inconvenience about such purchases that are not connected with the
barter of rum.
Within a few hours he had fallen once more into the great drift; resumed
his classic jaunt over Asia and the Islands. It had begun far up a
certain big yellow drain many months before.
Of the two days which followed, only distorted passages that touched
McLean, the money-lender, came to surface. Certain foreigners, however,
were stopped upon the streets of Shanghai by a dilapidated American who
seemed to have a wild laugh back in his brain, and who inquired with
manner, "Has the _John Dividend_ put to sea?"
The drift took him at length to the Walled City where a white man may
truly be lost, and where countless animals, roughly shaped like men,
move about to a dirge-like beat of many afflictions and seem waiting for
death.
Three days after the white man disappeared into the walled city of
Shanghai, a great liner’s nose cleaved the yellow water off Woosung. On
the hurricane deck, well away from the enthusiastic party of American
tourists, a small slant-eyed man stood alone by the landward rail. To
him every puff of the warm breeze was lotus and memory-laden, though he
kept his sentiments in chilled steel.
"_Dr. Huan Ti Kung, San Francisco to Shanghai,_" was all the ship’s
registry told of him.... He might have been twenty or forty, as you
preferred. One couldn’t tell anything definite from the styleless black
suit and hat he wore, nor from the sombre repose of the classically
Chinese face.
Public-domain text, read in full here on John Shaqi.
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