I note that in 1837 Emerson wrote this about the Germans; "I do not draw
from them great influence. The heroic, the holy, I lack. They are
contemptuous. They fail in sympathy with humanity. The voice of nature
they bring me to hear is not divine, but ghastly, hard, and ironical.
They do not illuminate me: they do not edify me." Is not this the German
of to-day? If Emerson were with us now he would see, as we all see, how
the age of idealism and spiritual power in Germany that gave the world
the great composers and the great poets and philosophers--Bach,
Beethoven, Wagner, Goethe, Schiller, Lessing, Kant, Hegel, and
others--has passed and been succeeded by the hard, cruel, and sterile
age of materialism, and the domination of an aggressive and
conscienceless military spirit. Emerson was the poet and prophet of
man's moral nature, and it is this nature--our finest and highest human
sensibilities and aspirations toward justice and truth--that has been so
raided and trampled upon by the chief malefactor and world outlaw in the
present war.
II
Men who write Journals are usually men of certain marked traits--they
are idealists, they love solitude rather than society, they are
self-conscious, and they love to write. At least this seems to be true
of the men of the past century who left Journals of permanent literary
worth--Amiel, Emerson, and Thoreau. Amiel's Journal has more the
character of a diary than has Emerson's or Thoreau's, though it is
also a record of thoughts as well as of days. Emerson left more
unprinted matter than he chose to publish during his lifetime.
The Journals of Emerson and Thoreau are largely made up of left-overs
from their published works, and hence as literary material, when
compared with their other volumes, are of secondary importance. You
could not make another "Walden" out of Thoreau's Journals, nor build
up another chapter on "Self-Reliance," or on "Character," or on the
"Over-Soul," from Emerson's, though there are fragments here and there
in both that are on a level with their best work.
Public-domain text, read in full here on John Shaqi.
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