But now the unreality of his singular change of fortune was vanishing.
Every village priest who came after dark to take a glass of wine with
them at their inn sent it farther into the past, every provincial noble
greeting him on the step of his remote and quiet house added a note to
the drumming reality which dominated his waking moments and disturbed his
sleep at night.
Day by day they rode on, passing through two or three villages between
such halts as were needed by the horses. At every hamlet, in the large
villages, where they rested and had their food, at the remote little town
where they passed a night, there was always some one expecting them, who
came and talked of the weather and more or less skilfully brought in the
numeral nineteen. "Nineteen! Nineteen!" It was a watchword all over
France.
Long before, on the banks of the Dordogne, Loo had asked his companion
why that word had been selected--what it meant.
"It means Louis XIX," replied Dormer Colville, gravely.
And now, as they rode through a country so rural, so thinly populated and
remote that nothing like it may be found in these crowded islands, the
number seemed to follow them; or, rather, to pass on before them and
await their coming.
Often Colville would point silently with his whip to the numerals,
scrawled on a gate-post or written across a wall. At this time France was
mysteriously flooded with cheap portraits of the great Napoleon. It was
before the days of pictorial advertisement, and young ladies who wished
to make an advantageous marriage had no means of advertising the fact and
themselves in supplements to illustrated papers. The walls of inns and
shops and _diligence_ offices were therefore barer than they are to-day.
And from these bare walls stared out at this time the well-known face of
the great Napoleon. It was an innovation, and as such readily enough
accepted.
At every fair, at the great fête of St. Jean, at St. Jean d'Angély and a
hundred other fêtes of purely local notoriety, at least one hawker of
cheap lithographs was to be found. And if the buyer haggled, he could get
the portrait of the great Emperor for almost nothing.
"One cannot print it at such a cost," the seller assured his purchasers,
which was no less than the truth.
The fairs were, and are to this day, the link between the remoter
villages and the world; and the peasants carried home with them a
picture, for the first time, to hang on their walls. Thus the Prince
President fostered the Napoleonic legend.
Dormer Colville would walk up to these pictures, and, as often as not,
would turn and look over his shoulder at Barebone, with a short laugh.
For as often as not, the numerals were scrawled across the face in
pencil.
Public-domain text, read in full here on John Shaqi.
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