The Last Lady of Mulberry: A Story of Italian New York — John Shaqi
The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
The company in charge of the five-cent guide followed their leader into
a broad alley, and Bertino was left alone in the concourse, at loss
whither to turn. Not a soul gave the least heed to him. Those whom he
asked to point him to 342 Mulberry Street, his uncle’s abode, passed
on shaking their heads and mumbling something in broad Sicilian or
Neapolitan which the young Genovese did not understand. Some sighed
as they made the sign of not knowing, as though that number were the
darkest of mysteries. At length a gleam of light came over one face.
“I know,” said the man, a young fellow decked in Sunday corduroy. “It
is Casa Di Bello.”
“Yes; Giorgio Di Bello is the name of my uncle.”
“Your uncle? Santa Maria, signore! Let me carry your trunk.”
But Bertino only hugged the goatskin closer, the tales of Mulberry
sharks current in every mountain hamlet of Italy being vivid in his
mind.
“I’ll show you the house, anyway,” said the man of knowledge, and
Bertino followed.
The sidewalk was too narrow for the buzzing stream. The asphalted
roadway had become the grand promenade, and there the panorama of
Italia’s types unrolled: black men of Messina, with the hair and skin
of Persia, exiled from Etna’s slopes mayhap by the glowing lavas that
burn up olive grove and vineyard; red, flat-nosed men and fair-haired
women of Lombardy, driven perchance from their fertile plains by the
ruin that rides grimly on the freshets of the Po, but brought oftener
by the tax collector; cowherds and clodbreakers of the Roman Campagna,
whose clear-toned dialect found an antiphonal note in the patter of the
gaunt but often brawny sons of fever-plagued Maremma. Here and there
in the moving throng strutted a labour _padrone_, out to salute and be
saluted with lifted hat by all who prized his favour. One and all they
uncovered as he passed--sturdy dwarfs from Calabria and the Basilicata,
mere pegs from the heel and the toe of the Boot; limpid-eyed
mountaineers from the Abruzzi, bronzed fags of half-African Sicily,
riffraff of the Neapolitan slums; America-mad fishermen of the Adriatic
and Tyrrhene, deserters of a coinless Arcadia to become hod-slaves with
a bank account.
Slowly but volubly the clans of toil moved by, unheeded by a little
mother whose life was given for the moment to shining the heavy gold
rings in her baby’s ears.
“_Eccola, signore_,” said the man in corduroy, pausing before a house
that faced St. Patrick’s graveyard. “This is Casa Di Bello, the finest
domicile in the colony.”
It was an old-style brick dwelling of two stories and attic on the
northern fringe of Mulberry--the only house in the street whose front
was not gridironed with fire escapes. The low stoop, iron railing,
and massive dadoes, the Ionian door columns of hard wood, the domed
vestibule and generous width, marked it a rare survivor of the
building era that passed with the stagecoach and the Knickerbocker--a
well-preserved ghost of the quarter’s bygone fashion and respectability.
Public-domain text, read in full here on John Shaqi.
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