The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
“Well, did you stop to pick up any gold in the street?” asked Signor
Di Bello, winking at his sister, and sprinkling grated Parmesan over a
ragout of green peppers. “I suppose you have your valise filled with
it.”
“_Ma che!_” said Bertino, holding up his plate and looking wise. “Do
you think I am such a fool? I don’t expect to pick up money; but shall
I tell you something? Well, it is this: In this country I shall soon
make enough money to fill that valise.”
The others dropped their knives and forks and regarded him with
amazement.
“By the egg of Columbus!” exclaimed Signor Di Bello. “Are you not to
work in my shop?”
“Oh, yes; of course.”
“Then how do you expect to make so much money?”
There was no reason for it; but Bertino, oddly enough, yielded to a
sudden impulse to repress the truth. Cocking his eye first to the
ceiling and then on the tablecloth, he uttered a fib that concealed his
and Armando’s darling project for selling life-size busts in America.
The coffee served and the maraschino sipped, Signor Di Bello drew the
straw from a Virginia and settled for a smoke, while Aunt Carolina
showed Bertino to the room in the attic appointed for his use. She
unpacked his few belongings and placed them tidily in a small chest of
drawers, at the same time laying before him solemnly the parish-house
rules by which she governed Casa Di Bello. Had her brother below stairs
heard this, it is likely that he would have sent up many a guffaw with
his smoke rings, for by him these rules had received little honour save
in the steady nonobservance.
Carolina had never set her face against Bertino’s coming to the house,
and there was no method in the frosty greeting she had given him at
the door. It was merely that the sight of him, standing there, bag
and baggage, a whole day before the time, had staggered her orderly
being and drawn from her an instinctive protest. This all came of her
unruffled years as _perpetua_ of the rectory--that domain of peace and
even tenor, whose broad, clear windows she often regarded wistfully,
looking over the churchyard to Mott Street, from her sanctum on the
second floor.
Public-domain text, read in full here on John Shaqi.
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