The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
ALL Armando knew of sculpture he had learned from his uncle Daniello, a
mountain craftsman who never chiselled anything greater than a ten-inch
Saint Peter. At night in the tavern on the craggy height, with a flask
of _barbera_ before him, the old carver would talk grandly of his
doings in art, while his comrades, patient of the oft-told tale, nodded
their heads in listless but loyal accord. They all knew very well
that it was young Armando who did most of the carving, yet they cried
“Bravo!” for old Daniello’s wine was good. And so it had been for a
long time. While the lad chipped all day in a little workshop perched
beyond the nether cloud shadows, his uncle passed the hours in Genoa,
where, by sharp wits and bland tongue, he transmuted the marble into
silver.
But Armando had a soul that looked far above the gleaming tonsures of
ten-inch Saint Peters. Wherefore he was unhappy. When his twentieth
birthday dawned it seemed to him that his life had been a failure.
One morning, after a night of much _barbera_ and noisy gasconade, old
Daniello did not wake up, and two days afterward they laid him to rest
in the sloping graveyard in the gorge by the olive-oil mill.
Gloomily Armando weighed the situation, standing by the mullioned
window of the room wherein he had toiled so long and ignobly. Far
in the western distance he could see the ships that seemed to glide
with full sails across the mountains. The serene midsummer vapours,
pendulous above the Mediterranean, were visible, but the sea upon
which their shadows fell and lingered was hidden from his view by a
thicket of silver firs. Southward the trees stood lower, and over their
tops, where tired sea gulls circled, he gazed sadly toward the jumble
of masonry that is Genoa.
Miles below in the sun glare the city lay this morning as Heine found
it decades ago, like the bleached skeleton of some thrown-up monster
of the deep. And a monster it was in the sight of the poor lad who
looked down from the heights of Cardinali--but a monster that he would
conquer, even as Saint George, champion of Genoa, had conquered the
dragon in ages far agone. Yes, he would strike off for evermore the
chains that fettered him to ten-inch Saint Peters, and mount to the
white peaks of art! In the Apennine hamlet he had lived all his days,
and never heard of Balzac; but he clinched his fist, and, with eyes set
upon the cluster of chimney pots at the mountain’s foot, made his vow:
“In this room, O Genoa! will I bring forth a marble that shall make
you do me honour.”
Public-domain text, read in full here on John Shaqi.
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