The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
It was understood between them that at the meeting this afternoon
they would settle the marriage question once and for all; Bertino
told himself it would be settled for life or death. On his way to the
_caffè_ he encountered Carolina, and she stunned him with the news of
her coming departure for Italy.
“To-night I go aboard,” she said. “Thus I shall not miss the ship and
have to wait five weeks for another, as Father Nicodemo did.”
With thrift-prodding anxiety Bertino walked on, thinking out a plan for
turning her voyage to the advantage of himself and Armando. The letter
he meant to write, and its inclosure of a portrait of the President’s
wife, had assumed in his mind a boundless importance. It would be a
packet far too valuable for intrustment to the ordinary mail, and
registering letters to Europe he had found, on inquiry of Banker
Tomato, to be a costly business; nor was it any too safe, according to
the same authority. Aunt Carolina was going to Cardinali; why not send
it by her? With her own hands she could deliver the precious missive to
Armando. Nothing could be safer or cheaper. But there was not a moment
to lose if she went aboard to-night.
Thus it had come about that when Juno entered the _caffè_ she found
Bertino writhing in the travail of chirography. Before him on the table
lay a photograph of the First Lady of the Land. She checked an impulse
to catch it up and tear it to shreds.
Taking a chair by the table she watched him while he wrote. When he had
finished the letter he read it over slowly, then took up the picture
of the President’s wife to fold the written sheet around it and place
it in the envelope.
“Bah!” she said. “You talk of love. What love! Why don’t you send this
picture for the bust instead of that one? Am I not more beautiful?” She
drew from her skirt pocket her favourite portrait--the one that showed
her gazing wistfully at the moon.
“Anything but that,” he answered. “The next one shall be yours. I swear
it, if you will swear to be my wife. Ah, _mia preziosa_, in this letter
there is a fortune for me--for us both. Don’t you see the fine idea it
is to have a bust made of such a grand signora? It will make a _furore
tremendo_ in America.”
He had put the letter and the picture in the envelope, and in another
instant would have sealed it, but Juno sprang to her feet and pointed
to the door, crying:
“Quick! Go stop him! That man with the brown hat--my cousin! He has
just passed. I must see him. Quick, Bertino!”
He started for the door, but hardly had he reached it before she
snatched the envelope from the table, took out the photograph of the
President’s wife and put in the one of herself. Bertino ran back and
forth in search of the myth with the brown hat, and at length returned,
grumbling that no such person was in the street.
“Ah, what a pity!” she said. “I have not seen my cousin since the Feast
of the Madonna del Carmelo.”
Bertino licked the gum and sealed the envelope.
Public-domain text, read in full here on John Shaqi.
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