The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
And a great secret it remained for many months, during which Armando
toiled by day and night, releasing from the block of marble the
supposed First Lady of the Land. Marianna saw little of him. When
she ventured to look in at the shop where he worked, her visit never
seemed welcome. He returned short answers to her questions, and showed
petulance because of the interruption; and the dreadful truth was borne
in upon her that he had given himself heart and soul to the woman who
took shape from the marble. One day, when the bust was almost finished,
she said timidly:
“Armando, don’t you love me any more?”
“What a question! Of course I do,” and he gave her a hasty kiss. Then
he went on chipping at Juno’s snub nose.
Not at all reassured, Marianna went back to Aunt Carolina, whose
convalescence had met with a serious setback; but she was out of bed
now, and talking about returning to Mulberry by the next ship.
“Sit by my side, _carina_,” she said. “I have something to say to you.
Soon I shall go to America. Do you know what a fine country that is?
Well, you shall see. Aunt Serafina permits it, and I will bear the
expense--and it is decided that you may go with me. Ah, how happy you
must be to hear this! How many girls would like to go, and how few have
the chance!”
“But Armando!”
“The _amante_!” said Carolina scornfully. “Bah! he is nothing.”
“True enough,” sneered Aunt Serafina. “All Cardinali knows what he is.
A good-for-naught who will starve when the money that old Daniello the
Image Maker left him is eaten up.”
“He is no good-for-naught,” said the girl. “He is a sculptor.”
She could not help defending him then, but none the less that night
she went to bed with serious thoughts in her head of accepting Aunt
Carolina’s offer. It was the month of the finished bust, and with the
sense that Armando no longer cared for her was mingled a feeling of
resentment, which she vaguely fancied could be expressed most potently
by forsaking him--leaving him alone with the stony woman who had robbed
her of his heart. Of course, this would not have weighed against the
love that was only wounded, had not the tone of her two aunts taken a
ring of command, instead of solicitation, as the day drew nearer for
Carolina’s departure. Thus it came to pass that on the very morning
that the bust was carried down the winding road to Genoa and put aboard
a ship for New York, Marianna said to Armando:
“In three weeks I go to America.”
“You?”
“Yes; with Aunt Carolina.”
“Why?”
“She wants me, and you do not love me.”
“_Dio!_ How can you say that?”
“You love her better.”
“Her? _Santa Maria!_ who?”
“I know.”
“Speak!”
“You love the marble woman.”
He caught her in a frenzied embrace, and imprinted kisses upon her
hair, her glowing cheeks, her lips, and her long, brown eyelashes.
Public-domain text, read in full here on John Shaqi.
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