The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
Neither bride nor bridegroom looked joyous as they came forth into
the street and moved slowly toward Mulberry. Bertino’s face was
particularly long. He was in a black study. Throughout his persistent
courtship he had promised Juno that she should have a home in Casa Di
Bello if she became his wife. Now he found himself cracking his wits
to contrive a good excuse for keeping her out of his uncle’s sight.
If they met she would be sure to tell him of the marriage, whereupon
_inferno_ would kindle. With a wife on his hands, he would find
himself homeless and out of employment, even if Di Bello’s _vendetta_
did not remove the need of earning a living. He dared not make a
confidante of his wife, for to do so meant disclosure of the ugly truth
that he had cheated her of the richest husband in Mulberry--of a prize
which he knew she had been eager to win. His heart sank at thought
of the terrible _vendetta_ that _she_ might take. He believed her
capable of forsaking him and setting their union at naught. Silent of
tongue and sore bestead, he moved along slowly, while passers-by eyed
the majestic woman at his side. When they had reached St. Patrick’s
Graveyard, and her glance fell on Casa Di Bello, she said:
“Now that we are married, let us go to your uncle and tell him, so that
I may move in over there. When that is done we can have the marriage
before the mayor, and the wedding feast.”
“Not yet,” he said; “not yet, for the love of Dio!”
“Why?” she demanded. “I am as good as any one in that house.”
“Oh, my precious one, it is not that; not that. Listen. There is my
uncle--a good man, but strange, strange. When I told him I should take
a wife he called me fool and got very angry. He said I would not do my
work so well if I took a wife. But you--ah, you, my angel!--I would
not give you up for all the uncles and shops in New York--yes, in all
America.”
“You talk nonsense,” said Juno. “Tell me why I should not live in Casa
Di Bello.”
“Well, it is for this, _carissima_, only this: I am afraid to tell him
just now that I am married, because he said he would put me out--do you
understand?--said he would put me out of the shop and Casa Di Bello if
I got married. In a few weeks----”
“Bah!” she said, waving a forefinger in Neapolitan fashion, meaning
that she was not to be taken in. “I never believed you when you talked
of Casa Di Bello. Do you think it was for that I married you?”
“Wait, wait, my Juno. _Pazienza._ The day will come when you will be
_padrona_ of that house.”
“Enough,” she said. “I am tired of this nonsense. What are you going to
do?”
“Listen,” said Bertino, delighted at the success of his garbled version
of Di Bello’s threat. “This is my idea: You do not like Mulberry too
well, nor do I. Moreover, rents are very high here, because these
animals find it hard to get in anywhere else, and the landlords rob
them. But with us it is different. We, for example, are signori, are we
not?”
“Ah, yes; I am a signora.”
Public-domain text, read in full here on John Shaqi.
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