The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
“It is a grand mystery,” mused Di Bello, throwing out his legs and
lying back in his chair. “Just when I am ready to marry her she takes
wing.”
“Ah, _si_,” said Bertino meditatively--“a grand mystery.”
CHAPTER XII
THE PEACE PRESERVED
AFTER Juno’s sudden disappearance the theatre and the _caffès_ of
Mulberry lost their charm for Signor Di Bello. He began to roam
abroad evenings in quest of amusement. There came to him a newborn
desire to explore the region of American life that lay beyond the
colony’s border. For twelve years he had dwelt in its heart and felt
the throb of the big city; but never before had it struck his mind
to know more of this _terra misteriosa_ than he could learn from the
morning _Araldo_ and the evening _Bolletino_, two local scions of the
corybantic press, which bawled the news of Mulberry in double-column
scares, but only whispered in paragraphs of the affairs of New York.
With sixty thousand others Mulberry was his world. He had never
sought acquaintance with the great American monster whose roar filled
the surrounding air by day and whose million eyes at night gave the
northern sky a dim, false dawn.
From visiting Bowery shows he became a patron of the vaudeville
theatres farther up town. At length he discovered the Tenderloin, with
its dazzling electric displays at the doors of theatres and drinking
places, its phantom gaiety. Resolved to sound the depths of this ocean
of lights, he went along with a current that flowed to the box office
of the Titania, where the glittering Aztec spectacle, “Zapeaca” was the
magnet, charged with “one hundred American beauties.”
“By Cristoforo Colombo, it is she!” the grocer exclaimed, as the woman
he had hunted in a cityful marched across the stage, bringing up the
rear of a long column of high-heeled warriors. Though disguised in a
tin spear, a pasteboard shield, and a sheening helmet set jauntily
upon her bounteous raven mane, he knew her at first sight. No mistaking
that snub nose, that grand carriage, the plethora of her line, the
Eastern warmth of her colour.
“_Brava!_” he cried out, from his seat near the footlights whenever the
row of beauties to which she belonged showed themselves in marching
order. It was a renewal of the transport into which her presence had
thrown him when in solitary pride she held the stage of La Scala and
bleated “Santa Lucia.” To the jeers of the people about him he paid no
heed, but gave wild, vociferous expression to his delight at finding
her and feasting his eyes upon her, as she stood there in all the truth
of the ballet’s scant drapery.
Public-domain text, read in full here on John Shaqi.
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