The Last Lady of Mulberry: A Story of Italian New YorkThomas, Henry Wilton
General
The Last Lady of Mulberry: A Story of Italian New York
Thomas, Henry Wilton
Italian Americans -- New York (State) -- New York -- Fiction
NEVER had a knife-play produced such general commotion in Mulberry.
Though the motive for a removal was an affair wherewith outsiders
seldom concerned themselves, the whole colony thirsted in this
distinguished instance to know the wherefore of Bertino’s desire to
have his uncle’s life. This was a tidal wave of opportunity for Sara
the Frier of Pepper Pods, and splendidly she rode upon it to renewed
fortune. For months she had eaten the wormwood of a dishonoured oracle.
She had told the people that rival loves dwelt beneath the roof of Casa
Di Bello, and that some day grand trouble would be the fruit; but as
time wore on and the volcano gave no hint of eruption Sara’s patrons
flung the prophecy in her teeth and bought their fried pepper pods of
an upstart competitor from the Porta del Carmine of Naples. Now she
was able to brush the under side of her chin with the back of her hand
when the aforetime scoffers passed, and ask triumphantly, “Who was
it, my stupid one, that foretold grand trouble in Casa Di Bello?” No
longer could her soothsaying power be doubted, and the morning after
the letting of Signor Di Bello’s blood many an old customer, eager for
news, returned to Sara’s frying pan, which sizzled all day with the
steady rush of trade. In the singsong staccato of Avelino she told all
and much to boot of what she knew touching the great scandal. Who but
she had gone to Signor Di Bello and told him how Bertino had been seen
to kiss the singer, and who but she had seen the stiletto that her
words had caused to gleam in his eye? “But it was the other that played
the knife,” her listeners would observe, critically. This was Sara’s
cue to nod her head mysteriously, say “No matter,” and look wiser than
the plaster cast of Dante that brooded, yellow with age and dusty, in
the window of Signor Sereno the Undertaker. And no more light could
any one in Mulberry shed on the matter, for Juno and Bertino had made
excellent work of guarding the secret of their marriage.
Public interest in the episode declined when, after one day of closure,
the shutters were taken down and business went on as usual at the Sign
of the Wooden Bunch. A new assistant, to take the place of the fugitive
Bertino, was on hand; so was Signor Di Bello, who looked not a hair the
worse for the inexpert carving of which he had been the subject. While
the patrons came and went he sat near the entrance, sprawled in his
low chair, preoccupied, but answering with a grunt the many inquiries
about his health. The etiquette of Mulberry permits no closer reference
than this to removal matters. A subject of vast import and demanding
the grocer’s instant attention had sprouted that morning. It was in a
letter received from Carolina. He had just reached a conclusion--a
fact he betokened by dealing himself a smart slap on the knee--when the
form of Juno appeared between him and the sunshine that poured in at
the shop door.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account