End of the world -- Fiction; Epidemics -- Fiction; Science fiction; Twenty-first century -- Fiction
For my own part, since Adrian had first withdrawn me from my selvatic
wilderness to his own paradise of order and beauty, I had been wedded
to literature. I felt convinced that however it might have been in
former times, in the present stage of the world, no man’s faculties
could be developed, no man’s moral principle be enlarged and liberal,
without an extensive acquaintance with books. To me they stood in the
place of an active career, of ambition, and those palpable excitements
necessary to the multitude. The collation of philosophical opinions,
the study of historical facts, the acquirement of languages, were at
once my recreation, and the serious aim of my life. I turned author
myself. My productions however were sufficiently unpretending; they
were confined to the biography of favourite historical characters,
especially those whom I believed to have been traduced, or about whom
clung obscurity and doubt.
As my authorship increased, I acquired new sympathies and pleasures. I
found another and a valuable link to enchain me to my fellow-creatures;
my point of sight was extended, and the inclinations and capacities of
all human beings became deeply interesting to me. Kings have been
called the fathers of their people. Suddenly I became as it were the
father of all mankind. Posterity became my heirs. My thoughts were gems
to enrich the treasure house of man’s intellectual possessions; each
sentiment was a precious gift I bestowed on them. Let not these
aspirations be attributed to vanity. They were not expressed in words,
nor even reduced to form in my own mind; but they filled my soul,
exalting my thoughts, raising a glow of enthusiasm, and led me out of
the obscure path in which I before walked, into the bright
noon-enlightened highway of mankind, making me, citizen of the world, a
candidate for immortal honors, an eager aspirant to the praise and
sympathy of my fellow men.
No one certainly ever enjoyed the pleasures of composition more
intensely than I. If I left the woods, the solemn music of the waving
branches, and the majestic temple of nature, I sought the vast halls of
the Castle, and looked over wide, fertile England, spread beneath our
regal mount, and listened the while to inspiring strains of music. At
such times solemn harmonies or spirit-stirring airs gave wings to my
lagging thoughts, permitting them, methought, to penetrate the last
veil of nature and her God, and to display the highest beauty in
visible expression to the understandings of men. As the music went on,
my ideas seemed to quit their mortal dwelling house; they shook their
pinions and began a flight, sailing on the placid current of thought,
filling the creation with new glory, and rousing sublime imagery that
else had slept voiceless. Then I would hasten to my desk, weave the
new-found web of mind in firm texture and brilliant colours, leaving
the fashioning of the material to a calmer moment.
Public-domain text, read in full here on John Shaqi.
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