End of the world -- Fiction; Epidemics -- Fiction; Science fiction; Twenty-first century -- Fiction
July is gone. August must pass, and by the middle of September we may
hope. Each day was eagerly counted; and the inhabitants of towns,
desirous to leap this dangerous interval, plunged into dissipation, and
strove, by riot, and what they wished to imagine to be pleasure, to
banish thought and opiate despair. None but Adrian could have tamed the
motley population of London, which, like a troop of unbitted steeds
rushing to their pastures, had thrown aside all minor fears, through
the operation of the fear paramount. Even Adrian was obliged in part to
yield, that he might be able, if not to guide, at least to set bounds
to the license of the times. The theatres were kept open; every place
of public resort was frequented; though he endeavoured so to modify
them, as might best quiet the agitation of the spectators, and at the
same time prevent a reaction of misery when the excitement was over.
Tragedies deep and dire were the chief favourites. Comedy brought with
it too great a contrast to the inner despair: when such were attempted,
it was not unfrequent for a comedian, in the midst of the laughter
occasioned by his disporportioned buffoonery, to find a word or thought
in his part that jarred with his own sense of wretchedness, and burst
from mimic merriment into sobs and tears, while the spectators, seized
with irresistible sympathy, wept, and the pantomimic revelry was
changed to a real exhibition of tragic passion.
It was not in my nature to derive consolation from such scenes; from
theatres, whose buffoon laughter and discordant mirth awakened
distempered sympathy, or where fictitious tears and wailings mocked the
heart-felt grief within; from festival or crowded meeting, where
hilarity sprung from the worst feelings of our nature, or such
enthralment of the better ones, as impressed it with garish and false
varnish; from assemblies of mourners in the guise of revellers. Once
however I witnessed a scene of singular interest at one of the
theatres, where nature overpowered art, as an overflowing cataract will
tear away the puny manufacture of a mock cascade, which had before been
fed by a small portion of its waters.
I had come to London to see Adrian. He was not at the palace; and,
though the attendants did not know whither he had gone, they did not
expect him till late at night. It was between six and seven o’clock, a
fine summer afternoon, and I spent my leisure hours in a ramble through
the empty streets of London; now turning to avoid an approaching
funeral, now urged by curiosity to observe the state of a particular
spot; my wanderings were instinct with pain, for silence and desertion
characterized every place I visited, and the few beings I met were so
pale and woe-begone, so marked with care and depressed by fear, that
weary of encountering only signs of misery, I began to retread my steps
towards home.
Public-domain text, read in full here on John Shaqi.
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