End of the world -- Fiction; Epidemics -- Fiction; Science fiction; Twenty-first century -- Fiction
In what fitting terms of wonder and delight, in what choice expression
and soft flow of language, can I usher in the loveliest, wisest, best?
How in poor assemblage of words convey the halo of glory that
surrounded her, the thousand graces that waited unwearied on her. The
first thing that struck you on beholding that charming countenance was
its perfect goodness and frankness; candour sat upon her brow,
simplicity in her eyes, heavenly benignity in her smile. Her tall slim
figure bent gracefully as a poplar to the breezy west, and her gait,
goddess-like, was as that of a winged angel new alit from heaven’s high
floor; the pearly fairness of her complexion was stained by a pure
suffusion; her voice resembled the low, subdued tenor of a flute. It is
easiest perhaps to describe by contrast. I have detailed the
perfections of my sister; and yet she was utterly unlike Idris.
Perdita, even where she loved, was reserved and timid; Idris was frank
and confiding. The one recoiled to solitude, that she might there
entrench herself from disappointment and injury; the other walked forth
in open day, believing that none would harm her. Wordsworth has
compared a beloved female to two fair objects in nature; but his lines
always appeared to me rather a contrast than a similitude:
A violet by a mossy stone
Half hidden from the eye,
Fair as a star when only one
Is shining in the sky.
Such a violet was sweet Perdita, trembling to entrust herself to the
very air, cowering from observation, yet betrayed by her excellences;
and repaying with a thousand graces the labour of those who sought her
in her lonely bye-path. Idris was as the star, set in single splendour
in the dim anadem of balmy evening; ready to enlighten and delight the
subject world, shielded herself from every taint by her unimagined
distance from all that was not like herself akin to heaven.
I found this vision of beauty in Perdita’s alcove, in earnest
conversation with its inmate. When my sister saw me, she rose, and
taking my hand, said, “He is here, even at our wish; this is Lionel, my
brother.” Idris arose also, and bent on me her eyes of celestial blue,
and with grace peculiar said—“You hardly need an introduction; we have
a picture, highly valued by my father, which declares at once your
name. Verney, you will acknowledge this tie, and as my brother’s
friend, I feel that I may trust you.”
Public-domain text, read in full here on John Shaqi.
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