The Last of the Foresters: Or, Humors on the Border; A story of the Old Virginia FrontierCooke, John Esten
General
The Last of the Foresters: Or, Humors on the Border; A story of the Old Virginia Frontier
Cooke, John Esten
Frontier and pioneer life -- Fiction; Virginia -- Fiction
"Anan?" said Verty, smiling, and roused from his abstraction by the
silence.
"Ah, you are not very well accustomed to these trains of reasoning,
I perceive, sir," said Mr. Roundjacket; "but you will be able to
comprehend my meaning. I designed only to say, that this town will
probably be mentioned in many books, hereafter, as the residence of
some distinguished man. Of course, I do not express any opinion upon
that point--_I_ don't know who it will be; but I presume he will
follow the poetical calling from the vicinity of the mountains. Those
beautiful mountains will make his cheeks flush, sir, at all times. The
Shenandoah, more noble than even the Mississippi, will inspire him,
and possibly he will turn his attention to humor--possibly, sir, the
proceedings in courts of law may attract his attention--justification,
and cognovit, and certiorari. Let me read you a small portion of
a poem written upon those subjects by a very humble poet--are you
listening, Mr. Verty?"
Verty aroused himself, and smiled upon Mr. Roundjacket--a proceeding
which seemed to be eminently satisfactory to that gentleman.
With many preparatory, "hems," therefore, the poet commenced reading.
At the risk of bringing down upon our heads the anathema of
antiquaries in general, we are compelled to forbear from making any
quotations from the Roundjacket Iliad. It was not quite equal to
Homer, and inferior, in many points, to both the Aeniad and the
Dunciad;--but not on that account did the poet undervalue it. He read
with that deep appreciation which authors in all ages have brought to
bear upon their own productions.
Verty preserved a profound and respectful silence, which flattered the
poet hugely. He recited with new energy and pleasure--becoming, at
times, so enthusiastic, indeed, that a smothered growl from the
adjoining apartment bore soothing testimony to his eloquence.
Mr. Roundjacket wound up with a gigantic figure, in which the muse of
Chancery was represented as mounted upon a golden car, and dispensing
from her outstretched hands all sorts of fruits, and flowers, and
blessings on humanity;--and having thus brought his noble poem to a
noble termination, the poet, modestly smiling, and ready for applause,
rolled up his manuscript, and raised his eyes to the countenance of
his silent and admiring listener--that listener who had been so rapt
in the glowing images and sonorous couplets, that he had not uttered
so much as a word.
Verty was asleep.
CHAPTER VIII.
HOW VERTY SHOT A WHITE PIGEON.
Mr. Roundjacket's illusions were all dissipated--the attentive
listener was a sleeping listener--his poem, dreadful to think of, had
absolutely lulled Verty to slumber.
We may understand the mortification of the great writer; the
_irritable genus_ had in him no unfit representative, thus far at
least. He caught Verty by the shoulder and shook him.
Public-domain text, read in full here on John Shaqi.
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