The Last of the Mortimers: A Story in Two VoicesOliphant, Mrs. (Margaret)
General
The Last of the Mortimers: A Story in Two Voices
Oliphant, Mrs. (Margaret)
Fiction
Just before dinner, Mr. Cresswell’s one-horse chaise came into the
courtyard. We never use the great door except for great people, and when
Sarah goes out for her airings. I always use the court entrance, which
is much handier, especially in winter, and when there is no fire in the
great hall. I really see no use, except on occasions, for a fire in that
great hall. It looks miserable, I dare say, but then the coal it
consumes is enormous--enough to keep three families in the village
comfortably warmed--and _we_ keep no lackeys to lounge about there, and
be in the way. A good respectable family servant, like Ellis, with
plenty of maids, is much more to my taste than those great saucy
fellows, who have not the heart of a mouse. But this is quite apart from
what I was saying. Sarah had come down just the same as ever, except
that she had her brown gown on,--she wears a different gown every day in
the week,--and her muslin shawl lined with blue, and of course blue
ribbons in her cap to correspond. Carson, after all, is really a
wonderful milliner. She seemed to have forgotten, or at least passed
over, our little quarrel, for she spoke just the same as usual, and
said, as she always does, that she hoped that I would not forget to
order the carriage for her drive. I have given over being nettled about
this. She says it regularly, poor dear soul, every other day.
“And little Sara is coming to-day,” said I. “You’ll take her for
company, won’t you? It will do the child good.”
“Do her good! why, Cresswell has a carriage!” said Sarah in her whisper;
“beggars will ride before all’s done.”
“But he’s nothing of a beggar, quite the reverse; he’s very well-to-do,
indeed,” said I. “I think he has a very good right to a one-horse
chaise.”
“Ah, to be sure, that makes all the difference,” said Sarah in her sharp
way, “I forgot it was but one horse.”
Now her voice, which is rather pleasant when she’s kind, gets a sort of
hiss in it when she’s spiteful, and the sound of that “horse,” though I
wouldn’t for the world say any harm of my sister, drew out all the
hoarseness and unpleasant sound in the strangest way possible. I was
quite glad to hear at that moment the wheels in the courtyard.
“There is little Sara,” said I, and went off to fetch her in, very glad
to get off, it must be confessed; but glad also, to be sure, to see my
little pet, who had always taken so kindly to me. Before I could get to
the door which Ellis was holding open, the dear child herself came
rushing upon me, fairly driving me a few steps back, and taking away my
breath. “You’re not to come into the draught, godmamma. It’s so cold,
oh, it’s so cold! I thought my nose would be off,” cried Sara’s voice
close to my ear. She was talking and kissing me at the same moment, and
after the start she had given me, you may suppose, I did not pick up
exactly every word she said. But that was the substance of it, to be
sure.
Public-domain text, read in full here on John Shaqi.
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