The Last of the Mortimers: A Story in Two VoicesOliphant, Mrs. (Margaret)
General
The Last of the Mortimers: A Story in Two Voices
Oliphant, Mrs. (Margaret)
Fiction
Fortunately, the mention of the “twa” diverted Sara’s thoughts. She had
never ceased to be interested in Mr. Luigi, and I saw a world of
questions in her eye immediately. I hurried her downstairs, not feeling
able, really, for random talk; and troubled, more than I could express,
to think how disappointed Harry would be when he came home full of one
subject, expecting to talk it over with me, and found me occupied
entertaining a stranger,--a stranger, too, who had something to do with
it, who was our rival, and plotting against us, all unaware of who we
were.
However, as it happened, one of the first things Sara’s eye lighted upon
when we entered the room, was that old drawing of poor papa’s, which lay
on the table. She was the quickest creature imaginable. She had it in
her hand before I knew what she was about. Her exclamation made me start
and tremble as if I had been found out in something. Here was another
witness giving evidence freely, without any wish or contrivance of mine.
“Why, here is the Park!” cried Sara, “actually the very house! Where, in
all the world, did you get it? Have you been there? Do you know them?
Why, I thought you were quite strangers to Chester! I never knew
anything so odd. Who did it? It is frightfully bad, to be sure, but a
staring likeness. Dear Mrs. Langham, where did you get this?”
“I got it out of an old book,” said I, with a guilty faltering which I
could not quite conceal. “What Park is it? where is it? I do not know
the place.”
But I am sure if ever anybody looked guilty and the possessor of an
uncomfortable secret, it was me at that moment. I turned away from Sara,
putting away that envelope with the certificates which Harry (how
careless!) had also left on the table. I am sure she must have felt
there was something odd in my voice.
“What Park? why, _the_ Park, to be sure. Everybody in Chester knows the
Park; and here is an inscription, I declare!” she cried, running with it
to the window. “Oh, look here; do look here! It must have been some old
lover of godmamma Sarah’s. I never saw anything so funny in my life.
‘Sarah as I saw her last.’ Oh, Mrs. Langham! do come and look at this
comical, delightful thing! Isn’t it famous? She’s as old--as old as any
one’s grandmother. Who could it be? who could it possibly be?”
“Did you say your godmother?” said I. This was another novel
aggravation. Of course I had heard Sara speak of her godmothers; but,
somehow, I had not identified them with the ladies who were expected to
make her their heir.
Public-domain text, read in full here on John Shaqi.
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