The Last of the Mortimers: A Story in Two VoicesOliphant, Mrs. (Margaret)
General
The Last of the Mortimers: A Story in Two Voices
Oliphant, Mrs. (Margaret)
Fiction
But Sara was too much excited and delighted, and full of glee and
ridicule, to answer me. She kept dancing about and clapping her hands
over the drawing; always returning to it, and indulging in criticisms as
free and as depreciatory as Harry’s had been. It was getting dark, and I
confess I was very glad to sit down a little in the half light, and
repose myself as well as I could while she was thus engaged and wanted
no attention from me. Just then, however, I heard Harry’s foot coming
upstairs, and, to my great wonder and almost alarm, somebody else
entered with Harry. I could scarcely see him as I rose to receive my
husband’s companion. Somebody else, however, saw him quicker than I
did. In a moment Sara had dropped into the shadow of the curtains, and
became perfectly silent. An inconceivable kind of sympathy with her (it
could be nothing but mesmerism) somehow cleared up the twilight in a
moment, and made me aware who the stranger was. It was Domenico’s
master, Mr. Luigi, the Italian gentleman downstairs.
I cannot tell how the first preliminaries were got over. Of all times in
the world to make acquaintance with anybody, think of the twilight, just
before the candles came in, and when you could scarcely make out even
the most familiar face! We got on somehow, however; we _three_--Sara
sitting all the time dropt down, and nestling like a bird among the
curtains, struck into the most unaccountable silence. I suppose she
thought nobody saw her; whereas, on the contrary, Mr. Luigi, looking out
of the darkness where he was sitting towards the window, saw the outline
of her pretty head against a bit of green-blue sky as distinct as
possible; and looked at it too, as I can testify.
When candles came at last (Mrs. Goldsworthy had a lamp; but it smoked,
and the chimney broke, and all sorts of things happened to it), after
the first dazzled moment we all looked at each other. Then Sara became
clearly visible, and was forced out of her corner to let the blind be
drawn down. She came forward to the light at once, with just the least
bravado in her manner, ashamed of hiding herself. She had still the
drawing in her hand.
“Mr. Langham,” said Sara, “do you know this wonderful drawing? I never
was so amused and amazed in my life. Do you know it’s the Park? and my
godmamma Sarah when she was a young lady and a great beauty. To think
you should find it accidentally! And it must have been one of her old
lovers who did it. Oh, please give it to me, and let me show it her. She
would be pleased. She would soon find out whose it was.”
Public-domain text, read in full here on John Shaqi.
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