The Last of the Mortimers: A Story in Two VoicesOliphant, Mrs. (Margaret)
General
The Last of the Mortimers: A Story in Two Voices
Oliphant, Mrs. (Margaret)
Fiction
Then I told her of the further particulars which had come under Lizzie’s
observation, the letter returned and destroyed. Aunt Milly once more
grew a good deal excited. She walked about the room with a troubled
face, and many exclamations; but on the whole it gave her comfort. “My
dear, she can’t be afraid of him now,” said Aunt Milly; and with this
piece of consolation she went away strengthened to her many businesses,
for everything evidently is in her hands. That eldest sister of hers,
whom I cannot call by any name of love, takes no share in anything.
When she does talk, she talks as if she were the sole mistress and ruler
of the house; but Aunt Milly, though I understand they are quite equal
in their rights, has all the trouble. It is very strange, but I could
not feel so comfortable about her sending back that letter as Aunt Milly
did. To tell the plain truth, a very distinct suspicion had entered into
my mind about her. It flashed upon me when Mr. Luigi was speaking of
her, and it grew stronger and stronger every hour I spent in the same
room, though how it could be, was more than by any amount of thinking I
could divine. I will not say what my fancy was; I was always too
imaginative. I don’t want to commit myself till I see whether anything
will occur to bear me out.
The next day was wet, and I had abundant means of seeing Miss Mortimer.
I think my foolish faint that first day had quite settled me in her
opinion. She saw I was a nobody from that moment. Accordingly all that
rainy afternoon I sat by her in the strangest unsocial way. The fire was
still kept up, though the weather was warm; and Aunt Milly had stationed
me in her own easy chair, opposite her sister, and commanding the entire
length of the room so that I could see who entered at the door, though
Miss Mortimer could neither see or be seen by any one coming in. The
five great windows were all very naked and bare, the curtains drawn
back, and the blinds drawn up, according to Miss Mortimer’s fancy; she
had always an amount of twilight at her command by movement of her
screen. These five long lines of cold broad light, the cloudy sky
looking full down upon us, and the blasts of rain driving against the
cold transparent fence of glass which separated us from that outdoor
world, where the early flowers hung their heads in the rain, and the
shrubs cowered and drew together in the fitful gusts of wind, gave an
extraordinary atmosphere to the picture. Then that long great mirror at
the end of the room repeated the five windows in strange perspective,
and reflected all the maze of space and crowd of furniture in bars of
light and shadow; while here, in the centre, played the uncertain glow
of the fire, much too warm, and making the air feel unnatural; and close
before me sat Miss Mortimer with the screen carefully drawn round her
chair. She had on her usual dress--her muslin scarf or shawl, I forget
which, lined with pale blue silk, and ribbons of the same colour in her
Public-domain text, read in full here on John Shaqi.
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