cap, and black lace mits upon her thin hands, which, when she happened to stop for a moment, she rubbed slowly before the fire. She did not talk to me. I understand it was very rarely she talked to any one. Silently, as if it were some weird work she was about, she knitted on; but sometimes, as I was conscious, lifted her eyes from her knitting, and continuing her work all the time, surveyed me as I sat helpless before her. Every time the door of the room happened to open she repeated this. I felt her stare at me, as she might have stared at a mirror, to see who had entered the room; and it is impossible to describe how I felt under that look. I durst not answer it by turning my eyes upon her; but looking past her at the door, as one naturally does when the door of the room opens--and knowing her gaze to be fixed on me, I faltered, I trembled, my face burned in spite of myself. This went on till, in desperation, I fairly answered her look; then my feelings changed. Those blue eyes, which must have paled and chilled with age, were gazing with a watchful dread in my face. It was not me she was looking at. Her hands went on, in their dreadful inhuman occupation, while she found in my face a reflection of who it was that went in, or out, by that door behind her. It might be a habit she had got into; but I could read in her eyes that she sat there in full expectation of somebody or something arriving suddenly, which might startle and distress everybody else, but which _she_ knew. Again, I saw the same contrast which I had seen between Aunt Milly and Mr. Luigi. This woman, like the Italian, was in no perplexity. She was not confused with a mystery she could not comprehend, as Aunt Milly was. She knew something was coming, and what was coming, and was prepared to defend herself, and hide her shame to the death.